Word: bolshoi
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...most part, Caroline Kennedy, 4, sat rapt and on her best behavior as she and her mother* watched Moscow's Bolshoi Ballet limber up for their evening show at Washington's Capitol Theater. She curtsied politely to Ballet Master Asaf Messerer and shook hands with Prima Ballerina Maya Plisetskaya, who looked pretty funny in her woolly leg-warmers. But two hours of Bolshoi can be tough on the best behaved little girl, and Caroline got a mite fidgety. She struggled out of her pink sweater, kicked her red Mary Janes back and forth, wriggled up into Mama...
...famed previous occasion was the night in 1953 when the entire Presidium except one trooped into the Bolshoi. The absence of Secret Police Chief Lavrenty Beria led experts to suspect that he had been purged by his pals. This proved to be correct; they had shot him two days before...
...picture of bearded Karl Marx on the wall, Knox moved Khrushchev to guffaws by remarking: "I didn't know that Marx was a Cuban." When Rumania's Communist leaders came through town, Khrushchev took them to a 3¾-hour performance of Boris Godunov at the Bolshoi Theater, where he loudly applauded U.S. Basso Jerome Hines. Afterward Khrushchev jovially raised a glass as his pal First Deputy Premier Anastas Mikoyan offered toasts in champagne to culture and, smiling at the singer's pretty wife, to American women. "May God bless you," responded Basso Hines, still decked...
Moscow was reeling under the heaviest American cultural onslaught in its history. Within the space of only a few weeks, Bass Jerome Hines had launched a Russian tour from the stage of the Bolshoi, Igor Stravinsky had returned to his homeland, and George Balanchine had arrived with his New York City Ballet. Then, almost unheralded, the Robert Shaw Chorale turned up last week and outdid them all. At an opening concert at Tchaikovsky Conservatory, the 34-member choral group scored a popular triumph the likes of which Moscow had not seen since 1958, when Van Cliburn took over the town...
Hopeless from the Start. On the whole, the audiences seemed to like the absence of decorations that overwhelm the dancers in Bolshoi productions such as Spartacus. Said Composer Aram Khachaturian : "If Balanchine had done the choreography for my Spartacus, it wouldn't have been a flop." Balanchine politely disagreed. Spartacus was hopeless from the start, he said, because it was based on a false conception. Like much of Russian ballet, it subordinated music and dancing to plot and decoration, whereas ballet should be music and dance - first, last and foremost...