Word: bomar
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Dates: during 2000-2009
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...attic platform. The set’s rich earth tones also complement the small-town setting of an Irish village. The lighting, designed by Joshua Randall, is similarly organic and simple; its replication of the progression of natural daylight is especially admirable.The costumes—designed by Andrea R. Bomar ’05—also contribute to the natural feeling of the town in their simplicity. Although the clothes of the townspeople are plain, their rich colors reflect the liveliness of the characters, and they add to the genuine feel of a small village in turn...
...marvelously for the set, and the emirs and cadis looked so great in their paisley-printed caftans that I was inclined to wonder whether these garments wouldn’t have made a nice addition to my personal wardrobe once the run was over. Kudos to costumers Andrea R. Bomar ’05 and Susan K. Davidson...
When asked by Andrea R. Bomar ’05, what he would do if, like in the film, he could turn invisible, Wood replied: “For all the guys here, there are things that I would definitely...