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...Talk about the generation gap! Young people are to be fed a diet of musical pap predigested by McLendon and his American Mothers' Committee; only a connoisseur of "serious" music may sample Bomarzo, the hero of which is "sexually ambivalent and frustrated, ghost-ridden, and obsessed with death." One shudders to consider the effects of Mr. McLendon's taste on works such as Tristan und Isolde (premarital sex), Salome (fetishism and degeneracy) and Wozzeck (sadism and murder). "English records that deal with sex, sin and drugs" are what make the best popular music true, if controversial art, precisely...

Author: /time Magazine | Title: Letters: Jun. 9, 1967 | 6/9/1967 | See Source »

This is such stuff as bad dreams are made on; and in Argentine Composer Alberto Ginastera's new opera Bomarzo, it is appropriately woven into the gripping nightmare of a tortured spirit. Commissioned by the Washington Opera Society and given its world première last week at Washington's Lisner Auditorium, Bomarzo is based on a prizewinning novel by Buenos Aires Art Critic Manuel Mujica Lainez, who also wrote the libretto. In 15 taut, hallucinatory scenes that take place mostly in the mind of Pierfrancesco Orsini, Renaissance Duke of Bomarzo, it flashes back over the events...

Author: /time Magazine | Title: New Works: In a Gloomy Garden | 5/26/1967 | See Source »

Sighs & Moans. Bomarzo is taunted by his brothers and father; he is sexually ambivalent and frustrated, ghost-ridden and obsessed with death. Suspecting that his wife has been unfaithful with his brother, he orders the brother killed. Then, having built a garden of grotesque stone sculptures symbolizing his inner traumas, he unwittingly drinks poison and dies in the gaping mouth of one of his statues; his only benediction is a kiss from an innocent shepherd boy who skips...

Author: /time Magazine | Title: New Works: In a Gloomy Garden | 5/26/1967 | See Source »

Ginastera sees Bomarzo as "a man of our time," because he "struggles with sex, submits to violence, and is tormented by the metaphysical anxiety of death." The thesis might be more persuasive if Bomarzo were a less odd and cringing figure, and if the unremitting bleakness of his psychological life were set off against a more robust outward existence. But there can be no doubt that Ginastera has powerfully achieved his effects, combining orchestral wizardry and forceful vocal writing to carve out the contours of jarringly dramatic emotion. As Washington Opera Society President Hobart Spalding says, "The fellow is made...

Author: /time Magazine | Title: New Works: In a Gloomy Garden | 5/26/1967 | See Source »

...beaten track 60 miles northwest of Rome stands one of the strangest witnesses on earth to man's love of the curious and bizarre. Near the Villa Orsini at Bomarzo is a whole sculpture garden of beasts and ogres carved from volcanic rock (see color pages) on the site. Rarely has sentiment taken a more bizarre turn. Created in the 1560s by Duke Pierfrancesco ("Vicino") Orsini, the sculpture garden was meant not only to astonish and delight, but to serve as a memorial to Orsini's deceased wife...

Author: /time Magazine | Title: Art: MARVELS OF BOMARZO | 7/14/1958 | See Source »

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