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Word: bombarding (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...often the case in science, researchers at the University of California's Lawrence Radiation Laboratory were attempting to synthesize an entirely different isotope when mendelevium 258 was created. A team led by Nuclear Chemist E. Kenneth Hulet was using the laboratory's heavy ion linear accelerator to bombard a tiny amount of einsteinium (a transuranium element discovered in 1952) with alpha particles which consist of two protons and two neutrons. "We expected the alpha particles to join with the heavier isotope of einsteinium," says Hulet, "and then decay by a process called 'electron capture' to fermium...

Author: /time Magazine | Title: Nuclear Physics: The Heaviest Atom | 9/22/1967 | See Source »

FALSTAFF. Orson Welles may be the first actor in the history of the theater to appear too fat to play Shakespeare's "huge bombard of sack, that stuffed cloak bag of guts." In his compilation of five of the Bard's plays, some Wellesian genius flickers but does not burn brightly enough to illuminate the long dull stretches...

Author: /time Magazine | Title: Television: May 12, 1967 | 5/12/1967 | See Source »

FALSTAFF. Orson Welles is both director and star of this amalgam of scenes from five of Shakespeare's history plays in which the Bard's "bombard" of a buffoon domi nates the stage. The film flickers with the glitter of genius-amid great stony stretches of dullness and incoherence...

Author: /time Magazine | Title: Time Listings: Apr. 7, 1967 | 4/7/1967 | See Source »

FALSTAFF. Orson Welles is both director and star of this amalgam of scenes from five of Shakespeare's history plays in which the Bard's "bombard" of a buffoon dominates the stage. The film flickers with the glitters of genius-amid great stony stretches of dullness and incoherence...

Author: /time Magazine | Title: Television: Mar. 31, 1967 | 3/31/1967 | See Source »

...Parts 1 and 2, in which the character of Sir John Falstaff, "that huge bombard of sack, that stuffed cloak-bag of guts," dominates the stage. Welles is probably the first actor in the history of the theater to appear too fat for the role. Immense, waddling, jowly, pantomiming with a great theatrical strawberry nose and crafty, porcine eyes, he takes command of scenes less with spoken English than with body English. In whatever he does Welles is never en tirely bad-or entirely excellent. In this film there flickers the glitter of authentic genius, along with great stony stretches...

Author: /time Magazine | Title: Cinema: Body English | 3/24/1967 | See Source »

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