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...Jewish baker, Kossoff grew up in the East End of London. After being discharged from the army at the end of World War II, he studied under David Bomberg -- once a prodigy of the vorticist movement but by 1947 a forgotten man, a failure, whose stature as a painter is only now being recognized. Bomberg gave Kossoff two things: first, a grounding in the relations between modernism and the past, based on unrelenting drawing from life, which has practically been wiped out of art training in the past 20 years; and second, patience, a sense of endurance...

Author: /time Magazine | Title: Art: A Tortoise Obsessed with Oily Stuff | 11/14/1988 | See Source »

...lesser-known things in this show -- like the dense and acerbic paintings of Degas's friend Walter Richard Sickert, or Matthew Smith's responses to fauvism, or the work of the vorticists around 1914 (Wyndham Lewis, William Roberts, Henri Gaudier-Brzeska), or that of individuals like Stanley Spencer, David Bomberg, Jacob Epstein and Paul Nash, and so on through to the post-'60s paintings of men like Lucian Freud, Leon Kossoff, Frank Auerbach, R.B. Kitaj and Howard Hodgkin -- now strike us as not just a footnote to, but an essential part of, the visual culture of the past 80 years...

Author: /time Magazine | Title: Art: Singular And Grand | 4/6/1987 | See Source »

...great enemies of Romance." The pleated, diagonally stressed, armored precision of Lewis' paintings, as grand in their own way as Fernand Leger's, testifies to this -- in A Battery Shelled, 1919, even the smoke is metal. "I look upon Nature, while I live in a steel city," exclaimed David Bomberg in 1914, and the terse machine-like signs he found for briskly moving figures in The Mud Bath, his early masterpiece of 1912-13, have a tonic decisiveness that is only magnified by the simple color scheme of red, white and blue...

Author: /time Magazine | Title: Art: Singular And Grand | 4/6/1987 | See Source »

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