Word: bond
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Dates: during 1980-1989
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...action scenes seem rather sloppily put together--the stunts don't dazzle you as they did in the last few movies. It may be just as well--some of the later Roger Moore movies have been little more than collections of stunts thrown together. And Dalton's revamped Bond strikes the note of low-key, gruesome humor that the series needs. Licence to Kill one of the strongest Bond entries in recent years...
...producers have the right idea in trying to modernize the atmosphere of the movies. Even classics like From Russia With Love seem a little dated these days. No one would expect the Bond of today to be a Xerox copy of the one from 20 years ago. Licence to Kill seems to be an effort to combine the staples of the old Bond--girls and gadgets--with a modern twist, a new type of hero and a new type of enemy...
...suspicion is that the new James Bond will prove a little puritanical for the modern movie audience. In the last movie, the cause celebre was safe sex, and Bond made the unheard of move of ordering separate hotel rooms for himself and his lady friend...
...center the plot on a drug ring? Simple. Drugs are fashionable, and they make an easy target. And it proabably is no coincidence that Licence to Kill carries a disclaimer in its credits, warning of the dangers of smoking. The new James Bond target is every kind of personal vice. God save us from spies with social consciences, particularly ones who open fire on their enemies in crowded bars filled with reasonably innocent people who just want to get away from their troubles...
...possible that the makers of James Bond have got it right, and the only things left for the superspy to tackle are society's unsolved problems. But then again, maybe the late '80s and the early '60s are more alike than we want to believe. The specter of nuclear annhiliation is just as real today as it was 25 years ago, if not more so. Maybe there's still room for a James Bond who grapples with the really big problems in the world...