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Word: bond (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Among the most notable benefactors are Baker Professor of Economics Martin S. Feldstein '61, University Marshal Richard S. Hunt and David R. Mittelman, a bond manager for Harvard Management...

Author: By Richard M. Burnes, | Title: Faculty, Students, Administrators Fill Candidates' Coffers | 10/30/1996 | See Source »

Like many of the junk-bond wire walkers of the 1980s, Reg Lewis was so obsessed with "doing another Beatrice" that he left the company's core operations adrift. Jean Fugett, a former pro footballer who was Reg's half brother and his handpicked successor, continued the hunt for deals. In the meantime Beatrice was hit by a roiling European recession in 1992 and a rapid erosion of market share, profits and cash. In the middle of this tumult, Fugett hatched a takeover bid for the Baltimore Orioles baseball team. With Beatrice's big shareholders in revolt, Lewis made...

Author: /time Magazine | Title: A WOMAN'S TOUCH | 10/28/1996 | See Source »

...things that way, is Charles Hurwitz, a Houston-based junk-bond wizard who plays the corporate-villain role well. Charlie's sin? He owns the trees, and he'll cut them if he wants to--and does he want to. In 1986 his company, MAXXAM (1995 sales: $2.57 billion), bought Pacific Lumber, the redwoods' owner. Hurwitz visited PL's Scotia, California, mill, and told workers he believed in the golden rule: "He who has the gold, rules." Then he drained $55 million from PL's $93 million pension fund, and cranked up the timber cut to pay off his debt...

Author: /time Magazine | Title: FIGHTING FOR THE FORESTS | 10/14/1996 | See Source »

Though neither group uses formal scripts during performances, rehearsals are still held to allow cast members to "bond" and to familiarize themselves with the nature of the performance...

Author: NO WRITER ATTRIBUTED | Title: Improv Comedy Groups Play for Laughs | 10/4/1996 | See Source »

Scattered throughout both acts are interludes featuring Russell as a character in a "running series of catastrophic cameos." Whether he is bouncing around the stage, dancing to James Bond music or pretending to be narrowly missed by a speeding train, Russell shines in these consistently disjointed episodes. These 30-second, slap-stick moments, breaking up the longer, more abstract dance scenes, remind the audience that above all, "Snappy Crayons" is supposed...

Author: NO WRITER ATTRIBUTED | Title: It Has a Good Beat & You Can Dance to It | 10/3/1996 | See Source »

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