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...Moby's mind, though, nothing mixes so well with the ecstasy culture as punk. As he plunged into "That's When I Reach For My Revolver," the dancers began to pogo. While an odd mix, it worked; the following Bond theme progressed from speed metal to pounding funked-up house. Not content with this excursion into rock, Moby decided that the show needed a guitar solo, and noodled for a couple of minutes. The crowd was variously amused and disgusted; some were upset that they'd been tricked into watching Def Leppard-style musical onanism. The pounding techno soon resumed...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Punk on Ecstasy | 1/9/1998 | See Source »

Although James Bond was never one to be coy or reserved, the claim that his agent ship is secret becomes an increasingly ridiculous assertion with the advent of each new film. The bad guys in each movie must all have flunked out of elementary bad guy school, where dealing with James Bond is a more important part of the curriculum than even sections devoted to Superman and proper income tax return techniques. They were most assuredly all absent the day The Good, the Bad, and the Ugly was shown and Eli Wallach's priceless gem of wisdom was studied: "When...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: When Bond Flicks Are Formulaic, Everyone Loses | 1/9/1998 | See Source »

...fact, Tomorrow Never Dies is no better than a mediocre, run-of-the-mill, modern action flick. Sure, the high paced action scenes, abundant chases, explosions and lavish gadgetry with which a Bond film is now associated has entertainment value of its own. But to claim that the current films have any more tradition or class to them than any generic action movie with say, Arnold or Stephen Segal, is bunk. Better to just do away with the whole cumbersome apparatus and obligatory baggage which slapping a Bond label on a movie entails, and instead devote the energy to making...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: When Bond Flicks Are Formulaic, Everyone Loses | 1/9/1998 | See Source »

Tomorrow Never Dies is fairly watchable, taken by itself. There are some nice scenic shots of missiles and jet fighters cruising over mountain ranges. There are many appreciably nifty action sequences involving vehicles of all sorts. There is also the usual bevy of beautiful Bond women, this time including Teri Hatcher, and a new twist to the series in the person of Michelle Yeoh, a Chinese dish who joins forces with 007 and is as skilled and equipped for secret agency as Bond...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: When Bond Flicks Are Formulaic, Everyone Loses | 1/9/1998 | See Source »

...instead of simply selling the James Bond character out for the sake of box office sales, Tomorrow Never Dies has eliminated the middle-man and gone straight to selling him to private companies. Ultimately, the movie is nothing more than the world's most expensive commercial...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: When Bond Flicks Are Formulaic, Everyone Loses | 1/9/1998 | See Source »

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