Word: bone
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Dates: during 1980-1989
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Gamble runs a wishbone offense, but since Penn threw the ball 159 times from the primaily run-oriented formation, it is heralded as the "Multi-Bone." Quarterback Doug Marzonie will direct the Multi-Bone. He passed for 944 yards (59-136) last year and rushed for 165 yards after embarking on his Penn career as a defensive back...
...Phoenix interview as a "snuff movie," where the audience waits eagerly for 13 campers and counsellors to be gorily dispatched. The violence in these low-budget horror films signals a new irreverence for the human body: no longer a vessel for the mind or soul but for blood, bone, pus, intestine and anything else that can come spurting, splashing, oozing, or quivering out; a source of irridescent colors, strange and squashy textures, squishing and crunching sounds. Devising these spectacles takes real showmanship, as evidenced by this excerpt from the horror mag Fangoria's interview with "effects wizard" Tom Savini...
Gamble runs a wishbone offense, but since Penn threw the ball 159 times from the primaily run-oriented formation, it is heralded as the "Multi-Bone." Quarterback Doug Marzonie will direct the Multi-Bone. He passed for 944 yards (59-136) last year and rushed for 165 yards after embarking on his Penn career as a defensive back...
...Phoenix interview as a "snuff movie," where the audience waits eagerly for 13 campers and counsellors to be gorily dispatched. The violence in these low-budget horror films signals a new irreverence for the human body: no longer a vessel for the mind or soul but for blood, bone, pus, intestine and anything else that can come spurting, splashing, oozing, or quivering out; a source of irridescent colors, strange and squashy textures, squishing and crunching sounds. Devising these spectacles takes real showmanship, as evidenced by this excerpt from the horror mag Fangoria's interview with "effects wizard" Tom Savini...
...Phoenix interview as a "snuff movie," where the audience waits eagerly for 13 campers and counsellors to be gorily dispatched. The violence in these low-budget horror films signals a new irreverence for the human body: no longer a vessel for the mind or soul but for blood, bone, pus, intestine and anything else that can come spurting, splashing, oozing, or quivering out; a source of irridescent colors, strange and squashy textures, squishing and crunching sounds. Devising these spectacles takes real showmanship, as evidenced by this excerpt from the horror mag Fangoria's interview with "effects wizard" Tom Savini...