Word: bonham
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Dates: during 1990-1999
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...city and [the record] was a way to feel better about the situation." It raised money and awareness and represented the intimacy of the Boston music community. The first performance of the Hometown Throwdown this year will benefit Safe and Sound and includes appearances by Letters to Cleo, Tracy Bonham and Juliana Hatfield...
Streamlining Henry James's notoriously dense novel, this film brings its melodramatic and erotic undertones to the forefront. A well-bred but impoverished English girl (Helena Bonham-Carter), secretly engaged to an equally impecunious journalist (Linus Roache), persuades her lover to pay court to a young American heiress dying of TB (Alison Elliott). The plot thickens as the three take a pleasure trip to Venice. The close-up cinematography brings out the superb performances of the three stars--especially Bonham-Carter, who brilliantly captures her character's complexities...
...streamlining of the book emphasizes the basically melodramatic quality, when stripped down to the essentials, of James's plot. In turn-of-the-century London, a well-bred but impoverished young woman, Kate Croy (played by the matchless Helena Bonham-Carter), is confronted with conflicting demands of a secret engagement to a penniless journalist (Linus Roache) and a wealthy aunt who wants her to marry well. Into the midst of this crisis sails Milly Theale (Alison Elliott), an ingenuous American visitor who--in true Jamesian form--happens to be encumbered with an enormous fortune. Milly becomes friends with Kate...
...highest honors, however, go to Bonham-Carter, queen of the British period piece film, who wins more sympathy for the ambiguous, ambivalent villainness Kate than perhaps James ever intended to be diverted from Milly. Bonham-Carter's Kate is alternately seductive and alienating: entrapped by circumstances, at once manipulator and manipulated, cruel and vulnerable, she makes us see her as both perpetrator and victim of her own deep-laid, cold-blooded plots. It was this problematic nature of Kate's character--or, as she phrases it with succinct deadpan cool, the "bitchy attributes"--that attracted the actress to the role...
...controversial reworking of the text. In James, the eroticism is so finely distilled that it breaks through to the surface only fleetingly, and then restricted almost entirely to the violence of suggestion and language rather than action. Softley's contemporized approach works because of the genuine erotic chemistry between Bonham-Carter and Roache, which reaches its peak at the Venice Carnival (a script addition), only to disappear completely in the one explicit sex scene (definitely a script addition), which Softley deliberately deeroticizes to show the gulf that opens between Kate and Merton. Both the sexualized metaphor of the masked carnival...