Word: bonham
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Gordon (Richard E. Grant), a copywriter at a London ad agency in the '30s, thinks of himself as a poet. But no one else is buying. Obsessed with strictures of class (his is "lower upper middle"), he woos his muse while exasperating Rosemary (Helena Bonham Carter), the art director of his ads and the love of his miserable life. If this version of George Orwell's 1936 novel Keep the Aspidistra Flying is too sunny for its subject, it provides a field day for the lanky Grant. His Gordon is self-absorbed, fulminating--the angry young man 20 years before...
...pair say they're happier as a duo than as part of a megagroup (neither of them talks to Led Zeppelin bassist John Paul Jones very much, and drummer John Bonham died in 1980). "This is what we like," says Plant. "It doesn't attract the same attention. It suits my years and my ambition." Plant also says that although "the best place to find us is in a bar," they don't party as hard on tour as they once did. "We control it now," says Plant. "Before, it was rather amorphous--we couldn't stop it." Walking into...
...barely seen (and not that great), and Winslet, who delivered lines like "I'd rather be Jack's whore than your wife!" In the Dueling British Ladies contest, Judi Dench in Mrs. Brown, who won the Golden Globe, has more momentum than The Wings of the Dove's Helena Bonham Carter. So the race is between Dench and Helen Hunt, also a Globe winner. Give Hunt the edge, since she won the Screen Actors Guild and is the only American nominee--that's how Tomei beat four Limeys...
...Good As It Gets, but she's too new a big-screen presence to win. Ditto for Kate Winslet(Titanic), who merits only compassion for her efforts to overcome a rotten script. Julie Christie(Afterglow) already has her Oscar dues; the showdown will likely be between Helena Bonham-Carter (The Wings of the Dove) and Judi Dench(Mrs. Brown...
...canny and generally successful appeal to the youth market, this film streamlines Henry James's notoriously dense novel, bringing its melodramatic and erotic undertones to the forefront. A well-bred but dowerless English girl (Helena Bonham-Carter), secretly engaged to an equally impecunious journalist (Linus Roache), persuades her lover to court a young American heiress dying of TB (Alison Elliott). The plot thickens as the three take a pleasure trip to Venice. The scenes in Italy are lovely, and the three stars give superb performances--esp. Bonham-Carter, who brilliantly captures the complexities of her character. --Lynn...