Word: bonnards
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...street scenes of his best years, from about 1885 to 1900: glitter and death, dark subjects and brisk high tones. The brutally emphatic imagery was created with a disconcerting sweetness of touch. Skeleton Painter in His Atelier, 1896, typifies this: the surface is almost as pretty as a Bonnard (though not nearly so well painted), and the very fact that Ensor was not trying to use illusionist tricks to convince viewers of the skeleton's reality lends his image a paradoxical strength-that of the throwaway line. One of the most affecting paintings in this show, for the same...
...Bonnard, whose chatty recollections make up most of the novel, is the quizzical young patronne of a marginally respectable pension just after World War II in Switzerland. Her clientele are a score of moneyed drifters whose principal interest is in living comfortably beneath their means. They include the manic Belgian mayor of B., who writes dotty memoirs on the rims of hotel towels and thinks everyone is a German spy; the curmudgeonly "Admiral," a half-deaf, near-blind British dowager who always seems to be bellowing for an elevator that never comes; and the defiantly gay Princess Bili, whose frenzied...
...when Claude Monet, their leader, could become a bore is (happily) not yet. Apart from the delectability of his work, it becomes increasingly clear that Monet, whose painting life began in the 1860s and spanned almost 70 years, was as fundamental to 20th century art as Cézanne. Bonnard, Pollock and Rothko, not to mention every color-field painter who came out of an art school, lie cradled in Monet's woven strands of pure color. Consequently the Art Institute of Chicago's Monet retrospective of more than 120 paintings, which opened last week, is an event...
...France, where museum security is tighter than Italy's, most of the recent thefts have been from private collections; the preferred targets are tapestries and minor (hence easily negotiable) "blue chip" Ecole de Paris pictures: Rouault, Modigliani, Vuillard, Bonnard, Cezanne and the like. Major art thefts, whether for ransom or resale, have declined in England over the past few years, thanks to the formation of Scotland Yard's highly efficient art squad in 1968. "It simply does not pay criminals to steal works of art in this country," says London Art Dealer Hugh Leggatt. "The police in Britain...
...fact, it was another Italian spe cialita della casa-art theft. In the hours before dawn, thieves had broken in through a window and spirited off about $2.3 million worth of paintings left to the museum in 1956 by Sicilian Industrialist Carlo Grassi. The haul included a Cezanne, a Bonnard, a Renoir, a Vuillard, a Van Gogh, a Gauguin, a Millet and a brace of Corots. The thieves, said Director Mercedes Garberi, "displayed a very refined taste." Giovanni Spadolini, Italy's Minister of the Cultural Patrimony, was already in shock from the theft of two Piero della Francescas...