Word: bonnards
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...artistic talent could occasionally shine through, transcending the intended ideology. Kazimir Malevich's 1928 Reapers, a bold, block-colored painting of three peasant women, is as stunning as the groundbreaking abstracts that made him famous in Czarist days. And Alexander Deineka's 1931 On the Balcony owes more to Bonnard or Matisse than to Stalin. But it is the affinity between Stalinist art and American commercial art that drives the show. Both evolved almost simultaneously on the strength of new media developments. Both aimed at mass appeal. And both presented an unattainably idyllic family life. Look at Alexander Laktionov...
...buried under the assembly-line charm of his later output. (And perhaps also to bring in the crowds.) Did he oversupply the world with purple cows? He did. But he was also a great and original artist, one who could produce work as deeply gratifying as any Bonnard, as inventive as any wriggle by Miro...
Though Rothko is traditionally regarded as the inheritor of Matisse’s mantle for his use of color, Glimcher compared him instead to Pierre Bonnard. He said the idea came when he remembered a conversation about color he had with Rothko: “He said, ‘Sure, Matisse is great, but if you are really interested in color, you should look to Bonnard,’” Glimcher said...
Though Rothko is traditionally regarded as the inheritor of Matisse for his use of color, Glimcher had the idea of comparing him instead to Pierre Bonnard. He said the idea came when he remembered a conversation about color he had with Rothko. “He said, ‘Sure, Matisse is great, but if you are really interested in color, you should look to Bonnard,’” Glimcher said...
...wandering the Quartier Latin and the narrow, flea-market streets of Montmartre. In the last twenty-five years alone, Paris has seen the sculptures of Rodin, the ballerinas of Degas, the water lilies of Monet, the dreamy Provencal mountains of Cezanne--not to mention to paintings of Manet, Seurat, Bonnard, Renoir and many more. Meanwhile, Toulouse-Lautrec is presiding over the Moulin Rouge nightclub, Paul Gauguin has taken ship for Tahiti and set about painting the native girls--and poor, mad Van Gogh is only ten years in the grave...