Word: bonnards
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...sophisticated obviousness." The work is set up like an automatic mechanism, but hand-painted in a capricious parody of pictorial richness. A load of modernist signs for sensual delight--thick, ropy color that invokes the transparency of water, spots and scribbles betokening light, bits of Matisse interiors, Dufy ports, Bonnard trees, Monet ponds--is dumped on the eye and offered for identification as quotes. Bartlett's studio was one of the places where the '80s mania for "appropriation" began...
...first major collection of seamy scenes, Paris de Nuit, was a sensation; a larger, franker version published in 1976, The Secret Paris of the 30's, was a U.S. bestseller. Brassaï's multiple talents included friendship, and in his volumes of portraits there are reminiscences of Bonnard, Giacometti, Henry Miller, Samuel Beckett and, especially, Picasso...
...statue model was cast in plaster and the design completed by that May. Its casting took three and one half months, done in New York by the Henry-Bonnard Bronze Company. It was set on its pedestal, designed by C. Howard Walker, a Boston architect, on October...
...paintings come, in part, from disappointed tourism. The south of France has drawn artists since Van Gogh; its blue, fouled coast is speckled with monumental names, Cézanne, Renoir, Picasso, Matisse, Bonnard. Though condos, fast-food chains and jammed autoroutes from Bordighera to the Camargue have somewhat dimmed its luster, it still possesses-especially for those who have not been there-a durable allure...
...less they'll look at the picture." Likewise, the paintings are full of references to other art, usually of a rather arcane sort. But they seem casually, even inattentively deployed, coming out not as formal homages to this or that master but as a function of temperament. Like Bonnard, whose work he reveres, Hodgkin is a fidgety peeper into secular paradises and controllable realms of pleasure. But as befits a painter who makes no bones about his belief in the continuity of past and present, part of the pleasure lies in the conversation between his work and its sources...