Word: bono
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...Dublin warehouse to get a martial drum sound reminiscent of its early days and persuaded the Edge to "stop worrying about the fine line between White Stripes and Whitesnake"--or between art rock and arena rock--and just let loose. When the music started to smolder, Bono grabbed a microphone. "He was awful," says Lillywhite. "The song was all about gun control--an extension of his political beliefs. Bono doesn't try that kind of thing much anymore, but when he does, you can feel the ambivalence from the band, and so can he. They want the rock star." Native...
Despite Lillywhite's success with Vertigo, the process didn't get any easier. U2 continued to work in moments of epiphany followed by days of wallowing. The Edge obsessed over his guitar sound, Clayton and Mullen Jr. hung around to offer criticism, encouragement and rhythm, and Bono checked in via cell phone during breaks from his various attempts to save the world. "He really wasn't around a hell of a lot," says Lillywhite. Nevertheless, his lyrics were the only thing flowing with relative ease. "It's all done in the morning now," says Bono cheerfully. "I used to stay...
...another band, Bono's absences to lobby world leaders for African debt relief and AIDS assistance might have been corrosive, but while Mullen Jr. still refers to the singer as the "little fella" in moments of annoyance, those moments are increasingly rare. "Part of it is all of us being past 40," says Mullen Jr. "But the truth is, it's better for Bono not to be here. He gets frustrated and feels like he can be doing more important things, which I think he's proven is true." When he returns, the band is actually eager to talk politics...
...meeting and finally reached something approaching unanimity on the new album. "I do believe we have the hits now," says Clayton--and he's right. How to Dismantle an Atomic Bomb is the catchiest album U2 has ever made, though it is neither political--the titular bomb refers to Bono's tempestuous father, who died in 2001--nor, as Vertigo suggests, a garage rocker. Mostly it's perfectly rendered grandiose pop, enormous in sound and theme. Bono sings about salvation (Yahweh), love (A Man and a Woman), doubt (One Step Closer) and, on All Because of You, himself ("I like...
...peaked at No. 10), so the group decided to cooperate with Apple on a customized black iPod and the now ubiquitous Vertigo silhouette ads, though they didn't do it solely for a payday. "A big car company once offered us $25 million for one of our songs," says Bono, "and we turned them down. No money changed hands in this deal. Downloading is the future, and we want to be King Canute. Let's get on the surfboard and ride the wave." As of last week, Vertigo had ruled the iTunes download chart for most of the past month...