Word: bonos
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Dismiss it as a flourish of modesty or a side effect of middle age, but U2 has steadily softened its ambition during its 30-year existence, and that's not such a bad thing. Early on, Bono sang with a moral force that suggested Cotton Mather with a mullet; not satisfied to rock you on "Sunday Bloody Sunday," he needed to convert you. In the towering period that spanned The Joshua Tree to Zooropa, U2 made stadium-size art rock with huge melodies that allowed Bono to throw his arms around the world while bending its ear about social justice...
...fine place to close the curtain, with the band flourishing in its contented third act as the one group people of all ages can agree on. Except that U2 isn't quite content. After an almost five-year absence, during which Bono was named one of TIME's Persons of the Year for his work on global poverty and the group was inducted into the Rock and Roll Hall of Fame, the band returns on March 3 with an album called No Line on the Horizon. It offers up a few new hits for the wedding playlist, but No Line...
...Line on the Horizon starts well. "I know a girl," Bono screams on the title track, thrusting us into the familiar cosmos of a U2 hit. There's the martial beat, the fickle female object of desire, the soaring inarticulateness - "Ohhhhhh/ Oh, oh, oh, oh, oh, oh, oh, oh, oh" - followed by the Edge chugga-chugga-chugging away on his guitar, chasing Bono up the scale note for note and yawp for yawp. It makes you giggle in amazement that the same old tricks keep generating new thrills...
...wanted me to." Delivered with an ambivalent growl by one of the most famous men in the world - one who got that way by being a singer of songs and lifter of souls - it suddenly sounds less like a love song and more like a grievance. Each time Bono slips out of the Everyman first person ("I know a girl") and into the specific ("I was born to sing for you"), the effect is jarring enough to raise the question, Is he trying to speak...
...best albums (The Joshua Tree; Achtung Baby), the answer is both. But convergence rarely happens here. Some songs - like "Stand Up Comedy," a goofball attempt at funk - are explicitly told through Bono's rose-colored specs. ("Stand up to rock stars, Napoleon is in high heels/ Josephine, be careful of small men with big ideas.") But on the otherwise breezy power pop of "I'll Go Crazy if I Don't Go Crazy Tonight," the rock star can't resist intruding with a lyric that first appeared as a pull quote in several of his magazine profiles ("The right...