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...atmospheric influence of co-producer Brian Eno, who also lends a hand on synthesizers, is audible throughout. Bono's vocals are electronically warped, the Edge's guitars chomp and snarl or dissolve into wavering pools of reverb. In Daddy's Gonna Pay for Your Crashed Car, a self-mockingly pompous classical overture gives way to a jittery, high-octane beat, frayed guitar riffs and ominously echoing pings that sound like sonar from a distressed nuclear...

Author: /time Magazine | Title: Future Shock From Ireland | 7/12/1993 | See Source »

...mapping a personal terrain of reflection and emotional catharsis. The sensory overload of superstardom is chillingly conveyed in Numb as the Edge's monotonic vocal is underscored by a lacerating guitar lick. Other songs are suffused with a sense of fleeting time. In Some Days Are Better than Others, Bono observes, "Some days take less but most days take more/ Some days slip through your fingers and onto the floor." And in the hymnlike Dirty Day, he seems to glimpse his own mortality as he sings, "These days, days, days run away like horses over the hill...

Author: /time Magazine | Title: Future Shock From Ireland | 7/12/1993 | See Source »

...Buyer beware!" should be emblazoned prominently on every copy of the bizarre new U2 release, "Zooropa." This is not the listener-friendly Irish rock band that fans have come to expect. In fact, songwriter and lead vocalist Bono's trademark moan-wail is the only recognizable feature on the album...

Author: By Jeannette A. Vargas, | Title: 'Zooropa'a Bizarre New Turn for U2 | 7/9/1993 | See Source »

Another example of this phenomena is "Dirty Day," dedicated to poet, writer and barfly Charles Bukowski. Bono assumes an eerie falsetto, with a frantic buildup of the Edge's guitar for the first part of the song. Yet the song inexplicably swoops from this to slow melancholy, and then to a hopeful throbbing. It plumbs the emotional heights and depths, yet this just makes it all the more difficult to listen...

Author: By Jeannette A. Vargas, | Title: 'Zooropa'a Bizarre New Turn for U2 | 7/9/1993 | See Source »

Some of the tracks do escape this trap. For "Daddy's Gonna Pay For Your Crashed Car," the Edge employs a scratchy metallic guitar groove with the reverb of Bono's vocals to obtain a psychedelic dance beat. This song about a friend's heroin addiction loses none of the artistic quality of the other songs, combining metallic pings and clanks with Bono's disembodied voice...

Author: By Jeannette A. Vargas, | Title: 'Zooropa'a Bizarre New Turn for U2 | 7/9/1993 | See Source »

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