Word: bontecou
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...focused on what he sees as the central figures in the international modernist tradition. Given this definition, however, it is hard to see why he left out such major artists as Naum Gabo, Louise Nevelson, Sam Francis, Mark Tobey, William Baziotes, Richard Lindner, Larry Rivers, Marisol and Lee Bontecou. Even so, with 406 works by 43 artists, Geldzahler has assembled the most exhaustive survey ever of the period...
This year, with 27 posters rolling off the presses, Mrs. List is busier than ever. For its May opening, Washington's National Collection of Fine Arts commissioned posters by Lee Bontecou, Chryssa, Allan d'Arcangelo, Sam Francis, Larry Rivers and Claes Oldenburg. The New York City Center has ordered a 25th anniversary portfolio in which Lowell Nesbitt, George Segal and Jim Dine will celebrate the drama, ballet and comic-opera companies...
JEWISH-Fifth Ave. at 92nd. More contemporary sculpture, here limited to seven Americans: Peter Agostini, Lee Bontecou, John Chamberlain, Mark di Suvero, George Segal, Richard Stankiewicz and George Sugarman. Through...
...Laundry Bags. The most striking use of canvas in the entire show is not in a painting at all. Second-prize winner of $1,500 is an enormous construction of steel rods, copper wire and remnants of tarpaulin titled Untitled (57) by Lee Bontecou, 32. Combining symbolic materials on one hand and symbolic shapes on the other, Untitled (57) might well express the history of flight: the canvas wings and tenuous struts of Kitty Hawk are molded into the soaring pinions and howling jet nacelles of Idlewild. Bontecou, who looks as if she might have just stepped down from...
...Bontecou, a blonde loft-waif of Lower Manhattan, used to do terra-cotta animals, turned to something called "soot drawings" while on a Fulbright in Rome, five years ago started making little boxes of metal rods with canvas sides stitched on with copper wire, treated with sizing for tautness, scorched with a blowtorch for blackness. From there, the elaborate wall structures grew. "I wanted to get sculpture off the floor-sculptures standing on the floor, they don't have anything to do with anything; they're so heavy and, well, I just wanted to get them...