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Buckley's judgment is more complex in The Redhunter, an ingeniously symmetrical drama of the origins and psychology of communism and anticommunism. He has invented a young alter ego, Harry Bontecou, who goes to work for Joe McCarthy (an only lightly novelized version of the real Senator) and turns out to have been fathered by a secret onetime English communist. Buckley offers not so much an ideological evaluation of McCarthy as a portrait of a live character and force of nature--country-boy chicken farmer, charmer, weasel, patriot, bully, loose cannon and for all that, the spokesman for a valid...

Author: /time Magazine | Title: Alger, Ales And Joe | 6/7/1999 | See Source »

...focused on what he sees as the central figures in the international modernist tradition. Given this definition, however, it is hard to see why he left out such major artists as Naum Gabo, Louise Nevelson, Sam Francis, Mark Tobey, William Baziotes, Richard Lindner, Larry Rivers, Marisol and Lee Bontecou. Even so, with 406 works by 43 artists, Geldzahler has assembled the most exhaustive survey ever of the period...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

This year, with 27 posters rolling off the presses, Mrs. List is busier than ever. For its May opening, Washington's National Collection of Fine Arts commissioned posters by Lee Bontecou, Chryssa, Allan d'Arcangelo, Sam Francis, Larry Rivers and Claes Oldenburg. The New York City Center has ordered a 25th anniversary portfolio in which Lowell Nesbitt, George Segal and Jim Dine will celebrate the drama, ballet and comic-opera companies...

Author: /time Magazine | Title: Graphics: Keeping Posted | 8/16/1968 | See Source »

JEWISH-Fifth Ave. at 92nd. More contemporary sculpture, here limited to seven Americans: Peter Agostini, Lee Bontecou, John Chamberlain, Mark di Suvero, George Segal, Richard Stankiewicz and George Sugarman. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 6, 1964 | 11/6/1964 | See Source »

...Bontecou, a blonde loft-waif of Lower Manhattan, used to do terra-cotta animals, turned to something called "soot drawings" while on a Fulbright in Rome, five years ago started making little boxes of metal rods with canvas sides stitched on with copper wire, treated with sizing for tautness, scorched with a blowtorch for blackness. From there, the elaborate wall structures grew. "I wanted to get sculpture off the floor-sculptures standing on the floor, they don't have anything to do with anything; they're so heavy and, well, I just wanted to get them...

Author: /time Magazine | Title: Art: The Loft-Waif | 2/1/1963 | See Source »

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