Word: booed
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...worst I've read, and I've read a bunch. And that includes his last book, State of Fear, in which he attempted to frighten us with the idea that global warming is not actually happening but is instead a hoax staged by a shadowy network of overzealous environmentalists. Boo...
...Crimson reported that their enthusiasm, however, earned them a night in the New Haven slammer. 1963: Widener Library’s pillars were disgraced with “Beat Harvard” spelled out in blue paint. The removal was costly, and the Elis won (boo), but the perpetrators were slapped with a suspension. 1982: MIT’s Delta Kappa Epsilon fraternity rigged a large black weather balloon to emerge out of the field’s 45-yard line during the second quarter of the game. Affectionately named “The Blob,” said balloon...
What is the proper way to act when you have made a boo-boo on the scale of what Perle and Adelman now admit to? A brief period of silence might be in order, followed by a bit of ideological spring cleaning. If this big idea has turned out to be wrong, isn't it possible that some of their other ideas are also wrong? In fact, maybe their whole philosophy is mistaken. Perle and Adelman are both neoconservatives, or neocons, a group that prides itself on being tough-minded and pragmatic while rejecting liberals as soft and romantic...
...Thompson ’09, consists primarily of a table and chairs, which the characters forcefully rearrange when agitated. Interestingly, the table is trapezoidal to give it forced perspective, a trick that is also being used on the Mainstage in “The Marriage of Bette and Boo.” The set becomes increasingly littered with an assortment of objects that I would venture to guess comprise one of the more unusual prop lists in Ex history—including bottles for cleaning supplies, shoes, lobsters, a baby carriage, and a cabbage, adding to the general sense...
...baby being thrown to the floor, at the feet of aghast relatives: this image of violence is repeated several times as a symbol of the failure of family life in “The Marriage of Bette and Boo.” As such a motif suggests, the first Harvard-Radcliffe Dramatic Club (HRDC) Mainstage show of the year does not shirk from conflict in its portrayal of suburban life. Running until Oct. 28, “Bette and Boo” was written by Christopher F. Durang ’71. Produced by Aileen K. Robinson...