Word: boogalooing
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...charge out of this easygoing soul session. With capable backing from such musicians as Jimmy Owens and Joe Newman, Harris uses his extra go-power to create warmth and depth. The set gets off to a rolling, sinew-stretching start on Live Right Now, a down-home boogaloo. Harris plays with heavy-throated gentleness on the bluesy Ballad (For My Love), and with a dulcet, flowing tone on Winter Meeting. There's just a bit of metallic overlay when he turns on the juice with It's Crazy, but then that's the current sound...
...show's basic gag, endlessly repeated, is throwing a pail of water at an endlessly unsuspecting girl-as simple as Punch being whacked over the head or a clown being squirted with Seltzer water, and somehow disarmingly innocent. Periodically, a bikini-clad girl is shown dancing the boogaloo; then the camera moves in to reveal that the girl is painted head to feet with silly graffiti. Other sight gags are madly literal-minded or engagingly sly. When the announcer calls for a station break, the camera will switch to a trick film clip showing an elephant's foot...
...soul? Man, that's the question of the hour. If it has soul, then it's tough, beautiful, out of sight. It passes the test of with-itness. It has the authenticity of collard greens boiling on the stove, the sassy style of the boogaloo in a hip discotheque, the solidarity signified by "Soul Brother" scrawled on a ghetto storefront...
...were 12,000 horse appearances in 1967 alone, most of them "N.D.s" (nondescripts, or extras), some of them cast horses (Bonanza's Lorne Greene rides a cast horse), the rest stunt horses who can rear up, buck, play dead and, for all anybody knows, kiss and dance the boogaloo. In the remaining animal roles last year were 21 bears, six crayfish, one anteater and 1,186 chickens. All the animals earned pretty good money, although naturally the most talented ones commanded the biggest fees (highest paid: Lassie, at $60,000 a year...
...conventions of the past. In the regal prime of classical ballet, the dancer's craft was devoted to polishing and perfecting an established series of formalized gestures; choreography was as structured as a French garden. Today, however, a ballerina may have to arch on point in one sequence, boogaloo in another, then writhe on the floor like a snake on the make...