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...trying to raise the level of discourse, not in an academic way but in a democratic way,” Waters says. “I hope [the book] doesn’t seem exclusive or elitist because I don’t think it is. But the fact that people can write—if that’s the sin, we’re willing to be condemned...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Turning Over an Old Page | 10/23/2009 | See Source »

Pamuk’s newest book, “The Museum of Innocence”—available to an English-speaking audience a year after its publication in Turkey—distills the sepia tones of his oeuvre into their purest and most poignant form yet. Readers looking for a follow-up to 2002’s “Snow,” a politically charged exploration of Islamic extremism, won’t find it here. Pamuk’s name took on a controversial coloring in the wake of that novel?...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Pamuk’s ‘Innocence’ a Stylistic Triumph | 10/23/2009 | See Source »

...relative of his. Their affair—initially, a casual one—takes on a special gravity; despite its European affectations, 1970s Istanbul remains deeply wary of women who have sex before marriage. The two eventually do consummate their relationship, however, and the first few chapters of the book are devoted to surprisingly graphic descriptions of the body and the ecstasy they share...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Pamuk’s ‘Innocence’ a Stylistic Triumph | 10/23/2009 | See Source »

...book moves slowly, as it’s meant to. Kemal preserves moments in his memory as meticulously as the objects in his museum, cataloguing them in careful and loving detail. Pamuk himself completed this novel over a period of six years, spending at least 10 hours each day alone writing in a flat overlooking old Istanbul, and the sense of that isolation drifts throughout his painstaking dissection of heartbreak. More than any other novelist today, Pamuk has laid claim to the dispassionate prose style and layered, self-reflective inheritance of Proust. At one point, he follows a numbered list...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Pamuk’s ‘Innocence’ a Stylistic Triumph | 10/23/2009 | See Source »

...central crisis, Axler’s loss of the ability to act, becomes a symbol—thin though it may seem—for a world coming apart at its very fabric. “The Humbling,” Roth’s thirtieth book and his fourth novel in as many years, is a brief and anguished meditation on the social, physical, and mental decay of an individual whose identity is ripped out from beneath him. Axler’s life, constituted by ability to perform on and off the stage, proffers itself as transient. His only...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Roth’s ‘Humbling’ Is Erudite, If Apathetic | 10/23/2009 | See Source »

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