Word: bookending
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...return of O’Hagan from suspension, and some head-scratching officiating marked the highs and lows of Harvard’s 31-28 loss to Tigers on Saturday. Last time, Harvard’s loss sparked a long win streak; this one served as the opposite bookend. Though the score and the repercussions were different, one element reigned supreme in both contests: drama.“Princeton is a very close second to our Yale game in terms of a rivalry,” said Crimson coach Tim Murphy following last week’s win over Lafayette...
Toward the album’s conclusion, the intensely strange “Sexy Asshole,” reminiscent of the Prodigy and sung nearly entirely in German, is a fitting bookend for this unique, weird, and nonchalantly sexual album that you and your petit(e) ami(e) will never be able to get out of your heads...
...It’s a wonder how so many different sounds can be used to create something so monotonous. The only traces of the band’s former three (or fewer) chords and a cloud of dust Velvet Underground homage style are in the tracks that bookend the album, “Pass the Hatchet, I Think I’m Goodkind” and “The Story of Yo La Tango.” But while the track finds a nice few-note melody and leans on it for 10+ minutes like back...
...only number with which I’ll leave college? To prove to my parents the value of my time spent devoted to touchdowns rather than term papers? To prove to my roommates it was worth missing the hours I could have spent with them? To brag? To bookend? To get some kind of closure?Or just to remember?The sports section I produced for Commencement last year—the predecessor of the one you’re reading now—had 32 pages, but what I remember most is how I hid the Nintendo games...
Musical director Molly J. Hester ’08, along with Lindsay K. Turner ’07, has organized a small musical ensemble to bookend “Playboy” and to punctuate its action. The instrumentation is traditionally Irish, and certainly unique to the production. The accordion, fiddle, Uilleann (dubbed “indoor bagpipes” by Hester) and bodhran (an Irish percussion instrument) will accompany a vocal musician who, according to Spillane-Hinks, spans the gap between music and theater, and who will introduce the performance in a manner reminiscent of a Shakespearian prologue...