Word: bookings
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Dates: during 1980-1989
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...Remembering truthfully is as difficult as inventing well -- indeed, more so; hence the paucity of good memoirs. "You must never undertake the search for time lost," warns the last sentence of Gregor von Rezzori's The Snows of Yesteryear, "in the spirit of nostalgic tourism." The rest of the book shows how carefully he has obeyed this precept...
...then; and Rezzori follows this family labyrinth back with a fine disdain for sentiment, a transparency of feeling, an acid sense of humor and a vigilant eye for nuances of love and indifference, language, landscape and class behavior. It is not a young man's (or a moralist's) book. But it is intensely moving and contains, in its winding and ironic cadences, not a slack sentence: a performance in a difficult key about the making of a near extinct kind of European...
...least one critical scalping, only to retain his stature as one of the most original American writers on either side of the Mississippi. This fall his seventh novel, Keep the Change, was published, ending a four-year hiatus from long fiction. The New York Times proclaimed it the "best book he has written to date." Almost as sweet is the news that Keep the Change is already the best- selling book of his career. No wonder that McGuane's Raw Deal Ranch has been rechristened Gladstone...
...Change is described by McGuane as a "happy superimposition of results on intentions." Loyal readers will find themselves on familiar terrain -- the bone-dry wit, terse dialogue, lyrical descriptions of nature and hovering suggestion of violence are pure McGuane. But the measured tone and relatively upbeat ending of the book are a far cry from the pyrotechnical flash of his earlier works like The Bushwacked Piano or Ninety-Two in the Shade. Not all McGuane fans have stayed for the ride. "There are readers who abandoned me over the feeling that my writing has become relatively lusterless," he observes...
...about a scheme to sell towers stocked with insect-eating bats to the gullible public. In 1973 McGuane upped the ante with Ninety-Two in the Shade, a dazzling novel of free- floating angst and male brinkmanship set in the Florida Keys. Ninety-Two was nominated for a National Book Award, and McGuane became, in the words of ^ Saul Bellow, "a kind of language star." Critics compared the 34-year-old author to Faulkner, Hemingway, Chekov and Camus. The big time -- and Tinseltown -- beckoned. McGuane became a celluloid hotshot, penning scripts for Rancho Deluxe and Tom Horn among other movies...