Word: bookings
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Dates: during 2000-2009
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Lind’s language is vulgar, again without variation. Toward the end of the book, Leo says, “We pull on God’s cock therefore, we are. Penem Dei tractamus ergo sumus.” This declaration is presumably an important sentence, considering the fact that the title of the novel “Ergo,” which means “therefore” in Latin, is derived from the quote. However, the redundant use of crude language and even the purpose behind its use, which is always the same, become an annoyance...
...Ergo” deserves a certain degree of credit if only for its ability to genuinely terrify. It would be difficult to find a postwar book that leaves an impression as petrifying as “Ergo.” But a novel, due to its inherent features as a genre, tends to reach its height when it delivers multi-layered thoughts and sensations that expand themselves throughout the breadth of reading. Instead of delivering on this front, Jakov Lind limited the artistic potential of the novel by consciously designating a purpose to it. “Ergo...
...context, Werner Sollors (Harvard Professor of African and African American Studies), Greil Marcus (well-known music critic and the first reviews editor of “Rolling Stone”), and Lindsay Waters (Executive Editor for the Humanities of the Harvard University Press (HU Press)) began composing a reference book that attempts to redefine the standard approach to writing about America’s literary history, from foundation to modern-day. Aided by an editorial board and an impressive list of contributors, their creation is a 200-essay compendium they named “A Literary History of America...
...started the project because I had the primitive desire to have a big book that could explain my world; not a picture, but something that could convey the whole thing to readers,” Waters says regarding the concept behind “Literary History,” which he conceived in 1982. It was only on September 29, 2005 that the project would officially be set in motion. Also the catalyst behind HU Press’ similarly titled French and German literary histories, Waters, with Sollors and Marcus, created an editorial board that formed, as Waters puts...
...requirement that topics be somehow linked to the process of creation left much room for interpretation of what serves as “literary” history. Consequently, the book has received criticism from some reviewers, such as The Globe’s columnist Alex Beam, for its inclusion of pop culture entries on, for instance, Barack Obama’s election or Linda Lovelace, lead actress of the film “Deep Throat...