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Yann Martel's Beatrice and Virgil begins with a dreary little piece of self-referential play. Henry, the hero, is a novelist trying to write a follow-up to his prize winning first book. Similarly, Martel's Life of Pi won the Man Booker Prize in 2002, and now he's produced a follow-up in the form of Beatrice and Virgil. This kind of metafictional loop has become a convention as well-worn as those it was meant to explode. Somebody needs to come up with a fifth wall to break. (See the all TIME 100 novels...
...What did you do to get the book out there...
...spent the year flat broke going from reading to reading. Whenever anyone would come up to me after a reading and say, “I’m going to have my book club read the book,” I’d say, “I’ll come.” It was very grassroots, and it was a lovely way to spend a year, talking to nice people who like your book...
...When I came to teach Expos and the Extension School, I worked on finishing the book in between teaching and raising a couple of sons. In order to teach Expos, I had to think about the architecture of argument. I thought about the technical aspects of making arguments in order to do creative writing. I had thought these two things were exclusive realms, but it turns out they’re not. I was constantly teaching published stories to the students and having conversations not only with them, but also with myself about writing. I really really really learned...
Christopher McDougall, author of the book “Born to Run,” was a bit more vocal about shoe companies while speaking at the seminar. “If you want to sell people shit, make them afraid,” he said, sporting his own “five finger” minimal shoes as an alternative...