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Word: boom (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Singing Detective, plots the death of all who may have hurt him. Lipstick on Your Collar climaxes at a grave site, where one of the three main characters is dead, a second falls into the open grave, and a third woos the widow -- all to the '50s tune Sh-Boom! "We're the one animal that knows we're going to die," Potter said. "And yet we carry on, behaving as though there's eternity...

Author: /time Magazine | Title: A Way to Live, the Way to Die: Dennis Potter (1935-1994) | 6/20/1994 | See Source »

Until recently, renegade presidential guards zealously protected the grounds from outside inspection. Now the deserted grounds are controlled by rebels who are more tolerant of visitors. As the boom of mortar fire echoes through the surrounding hills, an eerie calm has descended on the mansion. Half a dozen peacocks strut nervously along the garden wall. Inside the house -- a spacious three-story villa of chandeliers and Art Deco furnishings -- papers and clothing litter the floor, presumably from a search for cash or documents. But most of the former First Family's belongings are still here: CDs of Beethoven...

Author: /time Magazine | Title: Dispatches: Welcome to Ground Zero, Rwanda | 6/20/1994 | See Source »

Here's an idea for Speed II: terrorist wires teacher's copy of Hamlet. If he gets to the "Oh what a rogue and peasant slave am I" soliloquy -- Ka-BOOM...

Author: /time Magazine | Title: CINEMA: Brain Dead but Not Stupid | 6/13/1994 | See Source »

...course, it can. This time Axel is investigating a gang of counterfeiters operating out of an L.A. theme park, meant to suggest Disneyland. The mystery is minimal, just an excuse to get everybody on the rides. Steven E. de Souza's script is not so much written as constructed -- boom boom here, bang bang there. John Landis' direction consists mostly of just running the camera...

Author: /time Magazine | Title: CINEMA: Eddie Who? | 6/6/1994 | See Source »

...radical a departure from traditional cola packaging as Generation X is from the Baby Boom. It features a deliberately rather plain font of "OK" against a white background with a narrow red border; a sloppily drawn oval-headed fellow looks out quizzically from in front of a wall and a little box of a house capped with an aerial. The rather casual shabbiness of "OK" is a shameless bit of pandering to the idea of Generation X; evidently we are so fed up with the kaleidescopic self-promotion and colorful hype of Pepsi and Coke that we are helplessly susceptible...

Author: By Benjamin J. Heller, | Title: DART BOARD | 5/27/1994 | See Source »

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