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...Much Boomerang." At week's end, British critics found Goossens a man who "gives an impression of almost frightening efficiency," although they found his Berliners, by comparison with Beecham's Royal Philharmonic, slightly drab. Some found fault with his Mozart "Jupiter" (too dull). But after Roy Harris' brassy Third Symphony and Goossens' own Oboe Concerto (written for and played by his brother, the great oboist Leon Goossens), they had to admit that "the results [of his efficiency] certainly [were] confirmed a hundredfold...

Author: /time Magazine | Title: Music: Plum Pudding a-Plenty | 9/5/1949 | See Source »

Biggest hit was a piece Goossens had brought with him, "a piece ... for Australia to be proud of." Concertgoers got a kick out of the program notes of John Antill's ballet suite Corroboree (aborigine for get-together): "Much usage of boomerang, spear and fire sticks." But its savage and original rhythms and percussive effects excited them to an ovation when it was over, though a member of the orchestra said, "From within, it sounds only like noise...

Author: /time Magazine | Title: Music: Plum Pudding a-Plenty | 9/5/1949 | See Source »

...competition of radio and the threat of TV, and public apathy toward many of its tried & true stars, Hollywood has given more than passing thought to art and even culture during the past few years. Actually, some gains have been made in the direction of adult screen fare (Boomerang!, Treasure, of Sierra Madre, The Big Clock, The Snake Pit, Sitting Pretty...

Author: /time Magazine | Title: Cinema: Big Dig | 8/22/1949 | See Source »

Konstantin Berman, one of Moscow's favorite clowns, did his best to remedy the lack. He strutted into the ring dressed in mauve zoot-suit jacket and pinstripe trousers. "I will now demonstrate the Marshall Plan," said Berman, holding up a boomerang. The boomerang, he explained, was the dollar. When he threw it in the air, the missile split and two dollar-boomerangs returned to his hands. The crowd roared out its applause...

Author: /time Magazine | Title: Foreign News: Don't Laugh, Clown! | 5/2/1949 | See Source »

Mistrusting Hollywood, he and the producers are considering doing an independent film version, directed by cinema-wise Elia Kazan (Gentleman's Agreement, Boomerang). Other Miller projects: two new plays, one a "pathetic comedy" about an Italian worker in Brooklyn's Red Hook section, and a novel set on the Brooklyn waterfront...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 21, 1949 | 2/21/1949 | See Source »

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