Word: boomerangs
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Precautions may be indulged for the most avidly awaited, assiduously hyped film since Gone With the Wind. But they may also boomerang, by setting up expectations that few films could satisfy. That too was evident at the screening. Robust cheers greeted the first words of the sacred text ("A long time ago...") and the blast of John Williams' brass as the title Star Wars appeared. Later there was mild applause at Yoda's arrival. By then the impulse to ecstasy had been diluted into rote nostalgia. For whatever reason, the audience was quieter at the end than at the beginning...
...Rutan has built a pressurized gondola for a round-the-world balloon attempt, a rigid winglike sail for an America's Cup winner, GM's Ultralight show car and the X-38 NASA crew-return vehicle. He is now testing his most exotic craft yet, the asymmetrical twin-engined Boomerang, designed to prevent instability should one engine fail. And he has set his sights on the $10 million X-PRIZE for the first private spaceship to carry three passengers to sub-orbital altitude, land safely and return to space twice within two weeks...
...P.K.K., hoped Ocalan's capture would decapitate the rebellion and finally bring it to an end. But the well-orchestrated reaction among Europe's 850,000 Kurds suggested that their quest for independence is hardly over. Indeed, the arrest and trial of Ocalan (pronounced Oh-ja-lan) could boomerang, uniting fractious Kurds and galvanizing global sympathy for their cause. For now, though, many Turks are too busy celebrating...
...Mail, Tom Hanks even refers to the Godfather trilogy as the perfect guide to life, the I-Ching for guys. Rappers seem to agree. Snoop Dogg's sophomore album was titled The Doggfather. Silkk the Shocker's new album is called Made Man. On his song Boomerang, Big Pun echoes James Cagney in White Heat, yelling, "Top of the world, Ma! Top of the world...
Babyface hopes black filmmakers keep branching out: "I say, 'Don't categorize us.'" But Reginald Hudlin, Warrington's brother and the director of Boomerang, says it will ultimately require black films with widespread appeal and mega-box office grosses to clear the way for a wider range of African-American moviemaking. "You really have to gross $100 million to change perceptions," says Hudlin. "Then you get into a situation where Hollywood has to leave you alone and let you do your thing." In other words, if enough moviegoers start talking back to the screen, maybe Hollywood will begin to listen...