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...revisionists have a particular quarrel with the dominant scholarly voice of the recent past: what they call "consensus history," as exemplified by such diverse writers as Richard Hofstadter of Columbia, Daniel Boorstin of the Smithsonian Institution, Henry Nash Smith of the University of California at Berkeley, and George Kennan of the Institute for Advanced Study at Princeton. The consensus historians, who came to maturity during World War II and the early years of the cold war, exhibit an understandable hostility to totalitarianism in their writings. By contrast, they emphasize the spirit of compromise and accommodation in American history. Compared with...

Author: /time Magazine | Title: Essay: Revisionism: A New, Angry Look at the American Past | 2/2/1970 | See Source »

...course, demonstrations, like most of the other "events" the press covers (such as interviews, press conferences, ship launchings) are not real events (Daniel Boorstin calls them "pseudo-events"). They are not spontaneous; they are merely shows for the press. They "demonstrate" that people are dissatisfied with things. They are not a real reaction to the dissatisfaction...

Author: By James K. Glassman, | Title: Harvard's War Correspondents | 1/12/1970 | See Source »

...expresses the ideology of the Nixonian nation on dissent better than Historian Daniel Boorstin, whose book, The Decline of Radicalism, Nixon sometimes studies in a secluded den in the Executive Office Building. For an academic, Boorstin is almost ferocious about dissent: "Disagreement is the lifeblood of democracy, dissension is its cancer. Disagreers seek solutions to common problems, dissenters seek power for themselves." In a section on the "Rise of Minority Veto," which must be Agnew's text, he writes: "Small groups have more power than ever before . . . We are witnessing the explosive rebellion of small groups, who reject the American...

Author: /time Magazine | Title: Man and Woman of the Year: The Middle Americans | 1/5/1970 | See Source »

...David Boorstin's direction of this triple bill is, in nearly every...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

...Boorstin also has going for him the gracefully stark set, costumes, and lighting (by Bruce West, Joan Minto and Jim Harrison, respectively) and a swell rock band, The Rhythm Method, whose rendition of John Hall's music for "Morning" give that play the ersatz soul quality that helps make it tick...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

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