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Garvey was asked to reflect upon Harvard's 23-21 loss to Penn which cost the Crimson an undisputed Ivy Championship. In that game last Saturday, Harvard--when time ran out--had the lead after the Penn placekicker shanked his boot. But a roughing the kicker penalty enabled Penn to try again, and this time, the ball soared through the uprights...

Author: By Andy Doctoroff, | Title: Jim Garvey | 11/19/1982 | See Source »

...face may seem familiar, and so may the military bearing. In four years of film acting, David Keith, 28, has had trouble getting out of boot-camp. He was a G.I. in Friendly Fire, a sailor in Back Roads and a spit-and-polish Navy flyer candidate in An Officer and a Gentleman. In The Lords of Discipline, Keith is back in uniform again, as a cadet at a Southern military academy. He gets the girl-Sophie Ward, 17-and by now has got military technique down permanently. "After all these movies," says Keith, "I've at least learned...

Author: /time Magazine | Title: People: Nov. 1, 1982 | 11/1/1982 | See Source »

Villefranche-sur-Mer, where the Never Say Never crew was filming an action scene for their thriller about nuclear terrorism. Location work in the movies is always a combination of summer camp and boot camp, but Connery seemed to be enjoying it. He deflected all suggestions of a rivalry between the two pictures, or between himself and Moore, whom he has known for more than 20 years. If there is a difference, Connery says, it is in their approach to character: "I start with the serious and then try to inject as much humor...

Author: /time Magazine | Title: Show Business: James Bond Meets His Match | 11/1/1982 | See Source »

...have a wider menu--we impose less structure. People who have had good training and want to try things are better off her: People who want more of a boot camp a Marine Corps training, are better off at MIT," he says...

Author: By Michael W. Miller, | Title: Economics Rivalry R. Heats Up | 10/28/1982 | See Source »

...Lynne has superbly schooled her topflight troupe in clawing, stretching, rubbing and comic feline posturing, yet no single dancer convincingly turns into a cat. Lynne is a fluent choreographer, but uninventive. She relies on three main modes-jazz, ballet and acrobatics-which in reiteration become anticlimactic. When a huge boot clunks down in the middle of the chorus in the first big dance number, the touch is deliciously clever but later seems like a prophetic critique...

Author: /time Magazine | Title: Theater: O That Anthropomorphical Rag | 10/18/1982 | See Source »

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