Word: booth
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...have had her for my wife." Later he sings of salvation in the gospel- inflected Down There by the Train, describing a heavenly train for wrongdoers seeking righteousness: "There's no eye for an eye/ There's no tooth for a tooth/ I saw Judas Iscariot carrying John Wilkes Booth." Cash's voice has deepened with age; he has never sounded more commanding. The songs were written by a range of composers, including Cash, Kris Kristofferson and even hard rocker Glenn Danzig. Each one is moderately paced, simply arranged. Cash's guitar work is direct and intimate -- an old cowboy...
...Suneel Ratan, Elaine Shannon, Ann M. Simmons, Dick Thompson, Mark Thompson, Adam Zagorin, Melissa August New York: Janice C. Simpson, Edward Barnes, Massimo Calabresi, John F. Dickerson Boston: Sam Allis Chicago: Jon D. Hull, Elizabeth Taylor, Wendy Cole Detroit: William McWhirter Atlanta: Michael Riley Austin: S.C. Gwynne Miami: Cathy Booth Los Angeles: Jordan Bonfante, Jeanne McDowell, Sylvester Monroe, Jeffrey Ressner, James Willwerth, Patrick E. Cole San Francisco: David S. Jackson Denver: Richard Woodbury...
...significance of any person in history, no matter how complex, can be captured in one sentence, Clare Booth Luce once told Richard Nixon. "You will be summed up: He went to China," she declared...
...expects to be shocked by a play titled Hot 'n' Throbbing, or at least one hopes for it. Hopes increase when the play opens showing a woman in a strip booth at one side of the stage and her announcer in a booth opposite. These lewd stakes are raised still higher with Diane D'Aquila's opening monologue at her computer as she writes pornography to support her two children. The play begins, at such a pitch that one wonders how playwright Paula Vogel will pull...
...actors in the booths at the side are an alternately intriguing and confusing complement to the action. A quiz in the program serves as a guide to some of their obscure refrences ("Get our of the house! Get out of the--" is from: Ulysses or "Amityville Horror"?). These references are ineffectively used to deflate the porn industry's claim that the lines between art and trash are blurred and can't be legislated. Most of the time the gyrating and gasping of the booth people is merely white noise for the family scene. It is only at the end that...