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...only came when in 1979 he got an offer he couldn't refuse from NBC. He moved his talk off the field and up to the booth to do color-broadcasting during baseball telecasts. The job was tailor made for him: two days of work a week talking to people who had no choice but to listen. So he took...

Author: By John Rippey, | Title: A Little Boy in the Big Leagues | 3/12/1982 | See Source »

...make chairs interesting is an extraordinary accomplishment," said Mel the Booksel- ler, who frequents the corner booth near Tommy's jukebox for most of each...

Author: By Thomas J. Meyer, | Title: Lowell Senior's Artworks Adorn Tommy's Lunch | 3/10/1982 | See Source »

...putative purpose of last week's occasion was to celebrate the 100th anniversary of the Actors' Fund, a showfolks' charity created in 1882 by such stalwarts as P.T Barnum and Edwin Booth, and raise money to build a nursing facility next to the Actors' Fund home in Englewood, N.J. The first 90 minutes of the show were a smooth arc of excitement and unapologetic razzle-dazzle: a lyric Try to Remember by Harry Belafonte, a monologue delivered at giddy white heat by Robin Williams ("What excitement backstage-everyone's standing around in little pools...

Author: /time Magazine | Title: Show Business: Daze of the Locust | 3/1/1982 | See Source »

January 29, 6:40 p.m.--An employee at the Holyoke Center garage told University and Cambridge police that a Black male wearing a ski mask and carrying a .38 caliber reveiver approached the toll booth and demanded money. The employee gave him $100, but the man demanded the blue bag containing the booth's bank deposit of $600. The employee gave the man the bag, and the man fled up the ramp to Holyoke St., turning at the top of the ramp to fire a shot at the booth and take off his mask. He then fled up Mt. Auburn...

Author: By L. JOSEPH Garcia, | Title: Police Blotter | 2/5/1982 | See Source »

...first. The social messages of these movies have been dwarfed by their length, intricate period settings, and romances. Yet the only alternatives contain no message at all: norror, comedy, and adventure all start from the proposition "what if..."/ and ask that you leave the real world at the ticket booth. Arthur Penn has had trouble dealing with America's failure to face facts. His early films exalt the gangster, the loner who lives above and beyond society despite the tragic consequences. Bonnie and Clyde and Little Big Man, show compassion and humor while revealing the ugliness of American mythology...

Author: By David M. Handelman, | Title: The Sixties Reinvented | 2/4/1982 | See Source »

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