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...acts, is cleverly set against a comic-book backdrop of the city of Metropolis. In the upper left-hand corner of the stage is the "DC Comics" logo. Superman--played by Randy Stone '78--first appears by stepping out of a slit in the painted-on telephone booth. One has the sense early on in the show that Superman--and indeed all of the characters--step off the pages of a comic book onto the stage. Later on in the play, rather than use regular furniture in the Daily Planet newsroom, Borowitz utilizes flat, stand-up painted desks and typewriters...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

Whatever its actual audience may be, WHRB has elaborate plans for future projects and expansion of facilities. "We have in the works plans for two new studios," says Barol. The first, a small, approximately six-by-five-foot booth which is near completion, will serve one person acting as both announcer and engineer...

Author: By Mary G. Gotschall, | Title: On the Air | 11/6/1978 | See Source »

...Jimmy Booth and Max figure prominently in Billy's prison years as companions and co-conspirators, but it is another prisoner who most directly affects Billy in his struggle with identity. Parker and Stone have deliberately downplayed Billy's homosexual affair with the Swedish prisoner Erich (Norbert Weisser), presumably to make Billy as sympathetic a character as possible to straight audiences. This is one of several distortions of Billly Hayes' true story that have prompted some criticism of the film, objections that are justified to a certain extent. In all fairness to the movie, however, the relationship between Erich...

Author: By Joe Contreras, | Title: Busted at the Border | 11/4/1978 | See Source »

...supporting cast of Midnight Express complements Davis's performance by providing appropriate counterpoints to his character and acting style. Randy Quaid in particular shines as Jimmy Booth, the slightly psychotic American imprisoned for stealing two candlesticks from a Turkish mosque. Like the other actors in the movie. Quaid has taken on a challenging role, a character whose overwhelming survival instincts constantly inspire new getaway plans while a consuming cynicism eats away any remaining humanity left in him. Jimmy Booth's tough-as-nails bearing clashes with the injured pride of Billy when they first meet in the prison courtyard...

Author: By Joe Contreras, | Title: Busted at the Border | 11/4/1978 | See Source »

...example" among foreign drug smugglers; the upshot is a new 30-year sentence, which provokes Billy to deliver an ugly tirade against the Turkish people and nation during his day in court. This marks a new phase, the hardening of Billy Hayes if you will. Billy joins Jimmy Booth in his latest escape plans, Billy goes berserk and mutilates the lifeless body of Rifki (a scene that ranks up there with the most wanton exercises of filmed violence marking Jaws and The French Connection), and he winds up in the ward for the criminally insane. Like some Hieronymus Bosch painting...

Author: By Joe Contreras, | Title: Busted at the Border | 11/4/1978 | See Source »

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