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...object on display last week at Manhattan's Howard Wise Gallery looked suspiciously like a telephone booth. In fact it was a telephone booth, but of a very special kind, designed by Argentine-born Marta Minujin, 25. The Minuphone is what she calls an "environment." The viewer is invited to step inside and dial a number. The phone really works (its number is 581-4570)-but it also sets off a sequence of experiences that suggest the giddying effect of a short trip...

Author: /time Magazine | Title: Sculpture: The Number Is 581-4570, But Don't Call It | 7/7/1967 | See Source »

During a conversation, the transparent walls of the booth may slowly turn green or black as panels of colored water rise inside them. A television screen set in the floor may go on, showing the viewer's face grinning nervously up at him. His voice may be recorded on a tape and played back to him. Sirens may blow and a wind blast up from a screen beneath the telephone; a ghostly echo of his words may resound in the booth, or a screen descend (the idea is to make shadow pictures on it with one's free...

Author: /time Magazine | Title: Sculpture: The Number Is 581-4570, But Don't Call It | 7/7/1967 | See Source »

...First Cry gains its greatest power when it abandons trickery and makes surprisingly caustic side excursions into everyday life in Czechoslovakia: the ugly racial prejudice that surfaces when a black African stays too long in a phone booth and precipitates a fight; the prudish moralism of a policeman who makes Abrhám turn the painting of a nude face down; the arrogance of a movie critic who puts down a "bourgeois Italian film" while ogling a couple of girls in bathing suits. Like many films about the young by the young, The First Cry counts somewhat less...

Author: /time Magazine | Title: Cinema: Czech New Wave | 6/23/1967 | See Source »

Living Torch. At the height of the midday shopping hour, Catherine Seydel, a 22-year-old student, picked out a dress she liked and entered a third-floor booth to try it on. Suddenly she heard a thunderous rumble on the floor above her. When she emerged from the booth, she entered a maelstrom of fear and panic. In rapid succession, flames had erupted in at least three locations around the store. Two of the store's 15 full-time firemen-the building had no sprinklers-tried to douse the flames with hand extinguishers, but retreated in the fast...

Author: /time Magazine | Title: Belgium: Death in the Rue Neuve | 6/2/1967 | See Source »

...Soulsville -many of them dark-skinned Cambodians or the daughters of French Senegalese soldiers-are less costly and usually less comely than their sisters on white-dominated Tu Do Street near by. The "in" spot in Soulsville is the L. & M. Guest House, a bar-restaurant and record booth run by balding, beer-bellied "Johnny" Hill, 35, a New Orleans Negro and ex-merchant sailor whose menu of "soul food" runs from No. 4 (turnip greens) through No. 8 (barbecued spareribs) to No. 9, "Kansas City Wrinkles," better known as chitlins. In Soulsville, the sustenance is psychological as well. There...

Author: /time Magazine | Title: Armed Forces: Democracy in the Foxhole | 5/26/1967 | See Source »

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