Word: bop
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Dates: during 1940-1949
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...That Bop." With his present six-man outfit, the All-Stars, and 267-lb. Singer Velma Middleton, he was playing to dine & dance audiences of 1,000 a night last week in Vancouver, B.C. Most of his band, like Armstrong, had been musically famous for more than two decades, though they were only in their early 405; Trombonist Jack Teagarden, Pianist Earl ("Father") Hines, Clarinetist Barney Bigard and Drummer Sidney ("Big Sid") Catlett. The only youngster, 25-year-old Arvell Shaw played bass fiddle. When Louis and his All-Stars swung into West End Blues, Confessin' or Rockin...
Louis gives the back of his hand to the latest variety of jazz, bebop (or bop). The boppers, who know the way he feels, tend to speak of him in the past tense. "Nowadays," says Negro Bop Trumpeter Dizzy Gillespie, "we try to work out different rhythms and things that they didn't think about when Louis Armstrong blew. In his day all he did was play strictly from the soul-just strictly from his heart. You got to go forward and progress. We study...
...band had slid over its last glissando and flattened its last fifth, the audience applauded politely. No one screamed; no one bounced; no one fell in a fit; no one left. The carefully disorganized music began again, the performers staring blankly at the audience, the audience staring blankly back. Bop was a very serious business-just as serious as swing used...
...Some of bop's first excesses have already disappeared. Few of the patrons of the Roost now wear "progressive" berets and green-tinted, horn-rimmed glasses. There are only one or two of the tentative little bop beards visible in the Bopera House bleachers, where the most serious followers pay 90? to sit & listen. Whether bop is trash or treasure, it certainly isn't a dud. Last week it was all over Broadway...
Explosions in a Cellar. For four weeks, patrons of New York's Paramount Theater have been pinned against its back wall by Stan Kenton's klaxon-loud "progressive" blasts. Dizzy Gillespie, the high cockalorum of bop, was getting top billing at the rival Strand Theater. At 52nd and Broadway, the intersection of commercial acumen and "art" in popular music, the Clique Club opened its doors and let the mob in. Buddy Rich, a Tommy Dorsey alumnus and bop fellow traveler, shot spectacular explosions from his drums, and a velvet-skinned Negro named Sarah Vaughan squeezed her toothpaste-smooth...