Search Details

Word: bop (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...crowd erupts. The Stones launch into Jumpin' Jack Flash, the guitars driving. Jagger stretching out the syllables, howling notes much like the old Bob Dylan. At the end he cries, 'Are you having a good time?' The bad guy trying to please. Then Carol, bop-bop-bop-bop, a great oldie, good times at the record hop all over again. Jagger leaps about the stage, smirking, jerking, prancing, shooting pelvic thrusts straight at the crowd...

Author: /time Magazine | Title: Music: Rose Petals and Revolution | 11/28/1969 | See Source »

...time, the Colonel senses, for the comeback bid. Teen-agers seem to be tiring of bloodless electronic experimentation and intellectualism, and may be ready to discover for themselves the simplistic, hard-driving Big Beat-as the '50s generation discovered it after the cool complexities of bop and progressive jazz...

Author: /time Magazine | Title: Rock 'n' Roll: Return of the Big Beat | 8/15/1969 | See Source »

...Little Richard, 34, who powed them in '55 with his "Wop bop a loo bop ba lop bop bop-Tutti Frutti," is doing it all over again-notably last week in Manhattan's Central Park, where he ended up sharing most of his clothes with his admirers...

Author: /time Magazine | Title: Rock 'n' Roll: Return of the Big Beat | 8/15/1969 | See Source »

Father Figure. Hawk reached his peak of popularity as a musicians' musician during the early '40s. But he kept abreast of later changes, from swing to bop to the cooler, lighter sound of the '50s. He also became something of a father figure to young players, whom he entertained in his Manhattan apartment overlooking Central Park, talking music or baseball and cooking for them (he loved all kinds of beans-and popcorn). Almost always in the background there was the sound of classical music; Hawk loved Bach and Beethoven as much as a strong jazz solo...

Author: /time Magazine | Title: Jazz: Farewell to the Hawk | 5/30/1969 | See Source »

...gave up music entirely. Many great musicians did go north--King Oliver, Johnny Dodds, Jelly Roll Morton, Louis Armstrong. The New Orleans music they took with them began its metamorphosis in the 20's and 30's, evolving into swing and big band dance music, and later into bop and progressive jazz. Most collectors in the 40's thought that the traditional black jazz of New Orleans remained only on a few early discs as a faded chapter in the history of American music...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

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