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Word: bop (lookup in dictionary) (lookup stats)
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...tired jokes, the songs often had last night's audience roaring with laughter. Particularly successful were "Bureaucracy Calypso," a slap at modern urban government, "Living in the Twilight," which describes the life of the gangster associated with government and has suspicious echoes of West Side Story, and the "Accusatory Bop," a wild rock 'n roll bit in the grand style...

Author: By Joseph M. Russin, | Title: Charmed I'm Sure | 10/19/1963 | See Source »

...Newport Jazz Festival House Band, assembled especially for the occasion, played first. It is an impressive group including Howard McGhee and Clark Terry, trumpets, and Coleman Hawkins and Zoot Sims, tenor saxophones. On What Is This Thing Called Love, Hawkins' mixture of a mellow tone and fast bop fingering was generally effective, but sometimes a shade tortured...

Author: By R. K. I. and Hendrik HERTZBERG Newport, S | Title: Newport '63: The Duke, Martial Solal, Jimmy Smith | 7/9/1963 | See Source »

...Friday afternoon the Festival presented an interesting program of "New Faces in Jazz." One of the faces was not so new--that of Howard McGhee, who was an important bop trumpeter in the late forties and has returned from the living death of narcotics to resume his place in the jazz world. McGhee's quartet includes a 19-year-old Bostonian, Phil Porter, whose bluesy, rocking organ mixes perfectly, with McGhee's completely honest horn. Unlike so many musicians who wander aimlessly through a solo, McGhee plays solos which are each a single coherent message simply and forthrightly expressed...

Author: By R. K. I. and Hendrik HERTZBERG Newport, S | Title: Newport '63: The Duke, Martial Solal, Jimmy Smith | 7/9/1963 | See Source »

Duke Ellington is generally regarded as one of the two or three greatest figures in the history of jazz. He showed why he deserves his reputation Saturday night. None of the usual labels apply to the Duke. He doesn't play Dixieland, he doesn't play bop; he plays a brand of music which is his own, and which has survived decades of fads. Although he uses techniques which have gone out of style, such as the wa-wa trumpet mute, Ellington never sounds dated. It is not so much that he has changed with the times; the times...

Author: By R. K. I. and Hendrik HERTZBERG Newport, S | Title: Newport '63: The Duke, Martial Solal, Jimmy Smith | 7/9/1963 | See Source »

...cliche. This may or may not be the key to more meaningful improvisation, but have you ever heard a folk singer talk like that? It sounds like something you might have heard at Minton's in the mid-forties when Gillespie and Parker were exploring the new world of bop...

Author: By Joseph Boyd, | Title: Rolf Cahn in Cambridge | 3/5/1963 | See Source »

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