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Word: bop (lookup in dictionary) (lookup stats)
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...calypso songs especially styled for children. Obscure pop singers are desperately shaking their hips and broadening their A's in the rush to learn calypso. And Hollywood is considering a dozen calypso films, including Calypso Grips So, and (taking advantage of the best of two possible worlds) Bop Girl Goes Calypso...

Author: /time Magazine | Title: Music: Calypsomania | 3/25/1957 | See Source »

...dead. With a certain Byronesque recklessness, Russ volunteered for them all. A Book-of-the-Month Club selection for January, The Last Parallel is peculiarly fascinating for its creation of a new war generation in print, a kind of fighting man who could go into combat spouting bop talk, read the plays of Sophocles between barrages, and sniff heroin for kicks when away from the MLR (Main Line of Resistance...

Author: /time Magazine | Title: Books: Americans at War | 1/7/1957 | See Source »

...roll. Said Veteran Librettist Harbach, 83: "The greatest melodies of the past would never have had a chance to reach the public if they were written now instead of then. Would Smoke Gets in Your Eyes be allowed by broadcasters to be heard instead of Be-Bop-a-Lula? Could Indian Love Call penetrate the air waves which are flooded with Houn...

Author: /time Magazine | Title: Music: Sour Notes in the Courtroom | 10/1/1956 | See Source »

When the younger jazzmen did away with Dixieland and big-band swing and dove into the cool depths of bop and progressive jazz, they also left behind the sweet, lucid sound of the clarinet. Once known as an ill woodwind that nobody blows good, this relatively new instrument suddenly struck the U.S. mass ear in the 1920s in the hands of Ted Lewis, who made it wail, and reached peak popularity in the pre-World War II days of Benny Goodman and Artie Shaw, who made it swing. It is still a must in every Dixieland and New Orleans jazz...

Author: /time Magazine | Title: Music: Ill Woodwind | 7/9/1956 | See Source »

Poised for Bop. Sime had a lot to learn. But he was willing. He ran up and down the deep rows of seats in Duke stadium to build up his stamina and improve his balance. "Balance is everything," he says-and when he is going well, he is so perfectly poised that he seems to float over the cinders. He is also incredibly relaxed during a meet, a quality he attributes to his dancing to bebop music whenever he can. "A good bop keeps you nice and loose. If I go out and bop, I feel O.K. the next...

Author: /time Magazine | Title: Sport: Class of the Field | 5/21/1956 | See Source »

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