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Word: bop (lookup in dictionary) (lookup stats)
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...Jazz (3 LPs). As might be expected, the Roman New Orleans Jazz Band sticks to Dixieland, noodles around happily with such authentic material as Muskrat Ramble, St. James Infirmary and Tin Roof Blues. Stockholm's Arne Domnerus and Orchestra take a page out of Charlie Parker's bop book. Two English bands play in the old razzle-dazzle style of Ted Lewis. Chief merit of all three importations: enthusiasm...

Author: /time Magazine | Title: Music: New Pop Records, Mar. 16, 1953 | 3/16/1953 | See Source »

Mulligan's kind of sound is just about unique in the jazz field: his quartet uses neither piano nor guitar, does its work with trumpet, bass, drums and, of course, Mulligan's hoarse-voiced baritone sax. In comparison with the frantic extremes of bop, his jazz is rich and even orderly, is marked by an almost Bach-like counterpoint. As in Bach, each Mulligan man is busily looking for a pause, a hole in the music which he can fill with an answering phrase. Sometimes the polyphony is reminiscent of tailgate blues, sometimes it comes tumbling with bell...

Author: /time Magazine | Title: Music: Counterpoint Jazz | 2/2/1953 | See Source »

...arranging got him high marks, and he worked for such bandleaders as Tommy Tucker and Claude Thornhill, looking for ideas in his favorite composers -Stravinsky, Ravel, Prokofiev and Bach. When he turned to playing, he could blow ragtime, Dixieland, the blues and bop, but he refused to be categorized: "It would be senseless to start playing and sound like anybody else...

Author: /time Magazine | Title: Music: Counterpoint Jazz | 2/2/1953 | See Source »

Ella Fitzgerald opened last Monday at Storyville. She wrapped herself around a few standards, slid into some bop, joked a bit with the eager audience, and once again proved that they just don't come any better this side of the Good Old Days...

Author: By Robert J. Schoenberg, | Title: Ella Revisited | 1/30/1953 | See Source »

...operation in December put her throat out of commission. She was nervous at first, opening with two sitting ducks, Exactly Like You and Keep It a Secret. These first numbers she hit casually and with a pronounced beat, just warming up. A voice from the floor asked for some bop. Ella gave the nod to her piano man, Hank Jones, and the audience knew that this was still the old Fitzgerald...

Author: By Robert J. Schoenberg, | Title: Ella Revisited | 1/30/1953 | See Source »

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