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Word: bopped (lookup in dictionary) (lookup stats)
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...best slowed down. Like Glenn Gould playing 32nd trills as eighth notes, Mehldau proves that virtuosity is not dependent on quick pace alone. Yet even at a more leisurely speed, Mehldau's improvisational line exhibits an overall concern with counterpoint, which at once indicates his post-bop tendencies and classical training. But here they tend to be more appropriate, as Mehldau's impromptus have a tendency to fall into the trap of classical meter at brisker tempos...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Concert Review: Jazz, Classical Style | 5/19/2000 | See Source »

...BOP...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: In the Mix | 5/12/2000 | See Source »

...after decades of high and popular music--indeed music worthy of a Core class some 50 years after the fact--came bop, the dizzying complexity of which (and the fact that you can't dance to it) allowed rock, via R&B, to become the popular music. Magnanimity, the crown-virtue of swing, yielded to rock's rebelliousness--which is not a virtue at all, but the weak, ugly stepchild of courage. Nowadays, the glorious mixed-regime-in-music has devolved into plain democracy-in-music: those concerned with musical excellence via jazz can still subsist (democracy is colorful, after...

Author: By Hugh P. Liebert, | Title: The Rites of Springfest | 4/26/2000 | See Source »

...think people are the ones getting uncool. I think that we're over going against the grain only for the sake of going against the grain. We're at a time now when we have the courage to try different things. It's like the song Mmmm Bop by Hanson. Anyone who hears that song is going to think its catchy and they're going to bounce and bop if they hear it on the radio, no matter if they go to Harvard or Junior College. It takes real balls to admit a good song...

Author: By Soman S. Chainani and Deirdre Mask, CRIMSON STAFF WRITERS | Title: Q&A: Carson Daly | 2/4/2000 | See Source »

...With their crack band doing most of the work, there wasn't a lot for Fearless and Holmes to do. When not twiddling knobs with an almost comical intensity or guzzling Rolling Rocks, they would bop carefully behind their banks of equipment or clap their hands in the air. During particularly intense moments in the music, they would rock to the beat in a perfect, unintentional mimicking of the audience--two diehard music lovers grooving to their own creations. At one point, the two leaders simply turned and stared at the projections behind them, hypnotized by the dazzling "Neptune City...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Love and Death in Vegas | 12/3/1999 | See Source »

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