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Word: bopping (lookup in dictionary) (lookup stats)
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Jimmy Smith is making a week-long stand next door at the Jazz Workshop, the best jazz place in town. Smith goes way back--he got his start playing organ in the bop era, and is now arguably the best jazz organist around and certainly one of the most durable. His "Hootchie-Cootchie Man" and "Got My Mojo Working" are classics. Smith usually plays in an organ-guitar-drums trio, but the personnel varies. Along with Watson, this sounds like the week's best music bet. July 1 through 7, call 267-1300 for times here and at Paul...

Author: NO WRITER ATTRIBUTED | Title: MUSIC | 7/1/1974 | See Source »

After a couple of inane digressions into the Forties came the highlight of the show -- "Take a Letter to Maria." Taken from AM radio teeny bop, the Muzak version of this 1971 pop best-seller was actually an improvement on the original. Of course, that's not saying a great deal, but the Muzak arrangement created a surprisingly tolerable piece...

Author: By Peter A. Landry, | Title: Muzak Misery | 9/21/1973 | See Source »

...founders o f be-bop in the 1940s. Now Dartmouth has asked Dizzy Gillespie to become a professor of music. For Gillespie, 55, and for a generation of jazz musicians, this recognition of the cultural importance of jazz was "a long time comin'." Added Dizzy, who is currently playing in Belgium: "A lot's changed since I began. A jazz musician can play with symphonies now. Jazz will be the classical music of the future...

Author: /time Magazine | Title: People, Aug. 27, 1973 | 8/27/1973 | See Source »

...days after arriving, he landed a job with Ben Webster's band. Soon he was playing with such performers as Billie Holiday, Dizzy Gillespie and Charlie Parker. Finally he established himself as a soloist in Manhattan's plush East Side nighteries as well as clubs on the bop frontier of "The Street" (West 52nd Street...

Author: /time Magazine | Title: Music: O.K., Billy! | 8/6/1973 | See Source »

...articulate spokesman for jazz, Taylor is annoyed by the fact that jazz musicians tend to be perversely uncommunicative about their music-witness Parker's off-putting bop lingo, or Louis Armstrong's famous line: "If you got to ask what jazz is, you ain't got it." Says Taylor: "Every chance I get I try to set the record straight. I say, 'Look, I'm not apologizing for this music. I think it's something to be very proud of and I want to tell you about it.' " Beginning next week at Manhattan...

Author: /time Magazine | Title: Music: O.K., Billy! | 8/6/1973 | See Source »

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