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Schoenberg wrote this gargantuan cantata before he made his break with tonality, but he deploys the oversized orchestra and chorus in daring polyphonic passages that alternate with romantic solos, sung beautifully in this recording by Soprano Inge Borkh and Tenor Herbert Schachtschnei-der. The Bavarian Radio Orchestra is con ducted by Rafael Kubelik...

Author: /time Magazine | Title: Television: Nov. 26, 1965 | 11/26/1965 | See Source »

...aglow with curving lyric lines but avoided any hint of romantic lushness, was sometimes reminiscent of Stravinsky. The lightly modern music at no point obscured the text, at many points sharply illuminated it, as in a moving second-act farewell duet of Alcestis (well sung by Soprano Inge Borkh) and Admetus...

Author: /time Magazine | Title: Music: The Singing Greeks | 3/23/1962 | See Source »

Both her athletic bent and her theatrical temperament combine to make Swiss-Austrian Soprano Borkh one of the world's most impressive performers in two of her favorite roles-Salome and Elektra. Last week, for the first time in nine years, Strauss's Elektra returned to the Metropolitan Opera, and Soprano Borkh all but blew the house down...

Author: /time Magazine | Title: Music: Moanin' Becomes Elektra | 2/24/1961 | See Source »

...Inge Borkh is a tall (5 ft. 9 in.), handsome opera star with a crushing tennis backhand and a disconcerting habit of sitting about nude in her dressing room...

Author: /time Magazine | Title: Music: Moanin' Becomes Elektra | 2/24/1961 | See Source »

...Strauss's time: overlaying the stark story is a thin coat ing of German Gemütlichkeit that too often turns passion to mere posturing. What redeemed the Met's Elektra was a splen did job of conducting by Joseph Rosenstock and the singing of Soprano Borkh, who rose triumphantly over the raging orchestra with rich, ringing power...

Author: /time Magazine | Title: Music: Moanin' Becomes Elektra | 2/24/1961 | See Source »

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