Word: born
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Dates: during 1930-1939
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...powerful Eugene Ben Germany, 46, was born in Nolan county, Texas, janitored his way through Southwestern University at Georgetown. He taught school, studied geology, got in on the lush 1920 Texas oil boom. He now owns oil wells in Texas, Mississippi, Louisiana, raises hogs and cattle on his two farms and acts as mayor of Highland Park, fabulously wealthy suburb of Dallas...
...Born in England, educated at Mount Hermon School (under Dwight Lyman Moody) and at Princeton, Sam Higginbottom was sent to India in 1903 as an "unordained experiment." Since then he has never had time to take five years off to become a U. S. citizen. (But in 1928, Princeton classmates paid his passage to their 25th reunion, when Princeton gave him its first degree of Doctor of Philanthropy.) Sam Higginbottom began Allahabad College under a tree, taught husbandry, erosion control which he himself learned as he went along. To replace the sticks with which India's farmers scratched...
...Pancho" Sarabia likes good, quiet clothes and Scotch whiskey, speaks good English, displays the nerveless sang-froid of a proper flier. Born 39 years ago in the little town of Lerdo, he attended Mexican schools, crossed the U. S. border to get a degree at New Mexico College of Agriculture and Mechanic Arts, went to an automobile school in Kansas City, worked at the Buick plant in Michigan. In 1926 he took a $3 ride with a barnstormer. Next day Pancho started flying lessons and he has never been out of flying for more than three months since...
...Baltimore the clubbers heard a speech by Pianist Olga Samaroff (born Lucy Hickenlooper in San Antonio, Tex. and once married to Conductor Leopold Stokowski), who deplored the profession's "cutthroat competition," stepped up by refugee musicians in the U. S. The ladies re-elected as their president curly-browed, sweet-spoken Mrs. Vincent Hilles Ober of Norfolk, Va., to whom The Good Fairy Valse was dedicated and played by Pianist Henry Holden Huss. Mrs. Ober waved a triumphant wand...
...much enriched by the Lyric Theatre last week, the reputation of Composer Copland was. His music for the "character-ballet" Billy the Kid, much of it based on cowboy songs, was close-knit, percussive, incisive, wasting not a grace note in its evocation of the dapper, New York-born killer who flourished in the Southwest in the '703 and '80s. The choreography of Eugene Loring and the dancing of the Ballet Caravan were no less exciting...