Word: born
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Dates: during 1970-1979
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Giovanni Battista Montini was born in 1897 in the country village of Concesio, near Brescia, in northern Italy. His father, Giorgio Montini, was a newspaper editor and an early champion of the Popular Party (a forerunner of the Christian Democrats) who served three terms in the Chamber of Deputies. Young Giambattista, second of Giorgio's three sons, was so frail and sickly that he had to get much of his education-including some of his seminary training-at home. But he learned quickly: in 1920, not yet 23, he was ordained a priest in Brescia Cathedral. Dispatched to Rome...
...seconding the melodies of the grander piano, violin and cello. Few composers have favored it with solo works. Few Benny Goodmans exist; although there have been outstanding clarinetists, they traditionally have belonged to orchestras and thus missed the dazzle of a Paganini or Casals. In short, clarinetists were not born to be stars...
Most people are unlikely to find such observations very convincing or useful. Worse, Psychoanalyst Gould applies a heavy dose of Freudian pessimism: every child is born with an "insatiable biological drive" to have what it cannot have, the total attention and love of its mother. The failure to satisfy this drive, he believes, produces anger and protective devices that dominate every stage of adult development. Says Gould: "Mental life seems to have an unconscious goal-the elimination of the distortions of childhood consciousness and its demons and protective devices that restrict our life...
...BORN. To George Harrison, 35, last of the ex-Beatles to father a child; and Olivia Arias, 30, his Mexican-American friend, who met Harrison four years ago when she worked as a secretary for his Los Angeles record company; a son; in Windsor, England. Name: Dhani, translated from Hindi as "rich person...
...quality of German visual art has traditionally been downplayed by a Francocentric version of art history, so that-especially for those born between 1930 and 1945- there were relatively few vivid images of a civilized "modernist" Germany to set against the overwhelming iconography of Nazi terror. Now this is changing. "Paris-Berlin" comes hard on the heels of a splendid group of exhibitions mounted in Berlin last fall by the Council of Europe under the general title "Trends of the '20s." They focused on German Dada, on the Bauhaus and its circle, and on international constructivism. "Paris-Berlin" overlaps...