Word: borodin
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Dates: during 1950-1959
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...TIME (344 pp.]-N. M. Borodin-Macmillan...
...next, Comrade Borodin, who is the next?" whispers the professor to his assistant at the scientific meeting at Rostov. Before the meeting ends, the professor himself is called out of the hall and arrested by the secret police. A promising young colleague is torn from his career and family, charged with being a "wrecker." Another goes mad, paints himself with red ink in the laboratory courtyard, in the belief that it will make him immune from arrest. The author of One Man in His Time, who used to inform against his colleagues as a "duty,'' recounts the stories...
...embarked upon a slithering, 15-year journey through the Communist underground of the world. He would appear shaven-headed in Thailand, disguised as a Buddhist monk; he would show up in the Latin Quarter of Paris, explaining to waiters how to prepare his food. In Canton, Ho worked for Borodin, the Russian intriguer who helped undermine China. In Singapore, Ho organized Southeast Asia's Comintern. And when IndoChina's Nationalist Party rebelled against the French in 1930, Ho Chi Minh played it coldly; although he was constantly posing as a Nationalist, Ho and his Reds stood aside...
...members of the original cast; Columbia LP). A musical précis of the current Broadway idea of an Arabian night, featuring such popular songs as Baubles, Bangles and Beads, Stranger in Paradise and a couple of deft patter numbers. The music was culled from the work of Alexander Borodin, the 19th century Russian composer, by Robert Wright and George Forrest...
...father of a beauteous maiden (Doretta Morrow) who wins the love of the caliph. Seldom has the path of true love run with so many detours, or so many halts to let caravans go by. Nor is the score notably helpful. Some eerie things have happened to Russian Composer Borodin's brilliantly eerie music, and though one or two of the best-known bits (e.g., Stranger in Paradise) from Prince Igor are already jukebox favorites, much of Borodin's famed 19th century work has been made to sound pretty banal...