Search Details

Word: borodin (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Schubert: Symphony #2; Vitali; Chaconne for violin and figured bass; Verdi: Requiem; Bartok: Quartet #1; Borodin: Symphony #2; Boccherini: Trio...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

...heavily romantic Symphony in B minor by Borodin, whose musical expression is starker and more rough-hewn than Liszt's, but similar in its unrestrained and often pompous emotionality, was sympathetically interpreted by the orchestra. Borodin often employs thick brass and woodwind textures in his scores, and the playing of these sections was particularly good. The objectionable thing here is the music itself, specifically the first movement, which is little more than the reiteration, ad nauseam, of a single motive. The rest of the symphony, although often cumbersome and awkward, is better...

Author: By Bertram Baldwin, | Title: Harvard-Radcliffe Orchestra | 4/30/1957 | See Source »

...Liszt of the Piano Concerti and Borodin may as well be heard once in a while though. It is entertaining, if not profound, music; and the Harvard-Radcliffe Orchestra has shown that it can do some very entertaining playing. If they continue to play with as much energy and idiomatic sympathy as they did Friday night, no one will complain of a lack of intonation, or an occassional misentry...

Author: By Bertram Baldwin, | Title: Harvard-Radcliffe Orchestra | 4/30/1957 | See Source »

...music for the picture was patched together from themes by Alexander Borodin. Most of it has an annoyingly sugary flavor, even the best song, Stranger in Paradise. Nevertheless, the score remains one of the better parts of a discouraging production. But in the last analysis, there is only one reason why anyone looking for entertainment should go to see Kismet--it is easier to get to than any other movie in town...

Author: By Thomas K. Schwabacher, | Title: Kismet | 1/20/1956 | See Source »

...Keel, as the poet who goes from verse to better at the Wazir's court, cuts a tolerable fine figure in Mesopotamian laundry, and he sings like a baritone bulbul. Ann Blyth (see MILESTONES) is the girl and Vic Damone the boy. The music is borrowed din from Borodin, and except for Stranger in Paradise, it sounds like routine Tin Pan Allah. The incidental decorations are eye-filling, though-particularly an albino peacock that holds his end up with more style than most of the chorus girls show...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 26, 1955 | 12/26/1955 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next