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Aleksandr Borodin's first musical since Prince Igor hit the boards in 1890 is an entertaining show, in spite of some remarkably shoddy ingredients. Unlike Igor, Kismet's big assist comes from Minsky rather than Rimsky. With the vigorous cootch dance that shocked Elinor Hughes on opening night, bare-tummied slave girls paraded "for sale or for rent," and a number of jokes like, "Call me in the harem; I'll be lying down there," Kismet is often indistinguishable from Harem Nights at the Old Howard. Further debits are abominable lyrics ("We'll coo adicu without undue ado"), a script...

Author: By R. E. Oldenburg, | Title: Kismet | 10/24/1953 | See Source »

Died. Mikhail Markovich Borodin (real name: Mikhail Gruzenberg), 68, top international Communist agent during the '20s; of unannounced causes; somewhere in the Soviet Union. Born in Byelorussia, he joined the Bolshevist underground at 19, in 1906 fled from Czarist police into exile in the U.S. Back in Russia after the 1917 revolution. Borodin soon went abroad as a Communist legman, fomented abortive "workers' revolutions" in Spain (1919) and Mexico (1920), directed Communist infiltration of labor unions in the U.S. and Scotland. In 1923 came Agitator Borodin's big assignment: advising (and infiltrating) China's struggling revolutionary...

Author: /time Magazine | Title: Milestones, Sep. 14, 1953 | 9/14/1953 | See Source »

...Summer Symphony (Sat. 6:45 p.m., NBC). Laszlo Halasz conducts music of Mozart, Borodin, Rimsky-Korsakov...

Author: /time Magazine | Title: RADIO: Program Preview, Jun. 16, 1952 | 6/16/1952 | See Source »

...Later, Borodin wrote a funeral march and a mazurka around the tune, which he called the Coteletten Polka* and proudly showed the pieces to his musical friends. Rimsky-Korsakov promptly added several variations; other composer friends chipped in too, and before long there were 16 paraphrases. All were written for piano duet, the lower part for a skilled player, the upper for two fingers. In 1879, when the collection was published, Liszt got a copy, and added a paraphrase...

Author: /time Magazine | Title: Music: Variations on Two Fingers | 12/10/1951 | See Source »

Tati-Tati is no long-lost masterpiece, but with Gania Borodin's appealing little theme blown, bowed and bonged in a dozen modes and moods, it has plenty of charm. Like Papa Borodin's own Prince Igor, it could make some choreographer a first-rate ballet score...

Author: /time Magazine | Title: Music: Variations on Two Fingers | 12/10/1951 | See Source »

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