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...excitement came when Violinist Efrem Zimbalist marked his homecoming by soloing in the Glazunov Concerto. But the festival's high mark was the Opera's performance of Prince Igor, because the festival was given to commemorate the birthday centenary of Prince Igor's composer- Alexander Porfirievitch Borodin. Soviets approve Borodin's music as vigorous, direct, heroic, with a true Russian flavor unblemished by oldtime Russian melancholy. Alexander Porfirievitch was a sane and optimistic artist. As the bastard son of a Prince of Imeretia he never had to worry for his livelihood. His father received a life...

Author: /time Magazine | Title: Music: Borodin Centenary | 6/4/1934 | See Source »

...Bacchus, from the Ballet "Sylvia" Delibes *Overture to "Sakuntala" Goldmark *Londonderry Air Borodin Waltz, "Jolly Fellows" Volstedt *"Play Gypsies" from "Countess Martiza" Kalman *Prayer of Thanksgiving, Old Dutch Hyman Arranged by Kremser Cecilia Society Chorus...

Author: NO WRITER ATTRIBUTED | Title: News from the Houses | 5/9/1934 | See Source »

Beethoven Music to Geethe's "Egmont." Soprano: O. Averino Reader: R. Hale Randall Thompson Symphony No. 2 in E Minor Prokofleff Incantation for Tenor, Chorus, and Orchestra Soloist: C. Stratton Lambert Rio Grande Borodin Polovetzkian Dances from "Prince Igor...

Author: By H. W., | Title: The Music Box | 4/14/1934 | See Source »

...outstanding theatrical attraction of Soviet Russia. Unlike most recent Russian literary works, Fear, though written by a proletarian, is not Soviet propaganda. It aims to show the miseries of the proletariat under Soviet rule, to make a case for the survivors of the Tsarist aristocracy. Its hero, Ivan Ilich Borodin, scientific director of the Institute of Physiological Stimuli, is patently patterned after Physiologist Ivan Petrovich Pavlov, who won the Nobel Prize for Medicine in 1904. At first Fear was banned by Soviet authorities as counterrevolutionary. Later its production was permitted as part...

Author: /time Magazine | Title: The Theatre: Fear at Vassar | 1/22/1934 | See Source »

...winter young Werner Janssen has made a name as conductor and composer. But last week he learned that even a determined young musician cannot always rule his own actions. Bristling with energy he arrived in Berlin to conduct Rubin Goldmark's Gettysburg Requiem, a symphony by the Russian Borodin and his own Louisiana. Scarcely was he off the train when he was informed that his program had been changed for one of German music. Gettysburg had been banned. Director Lorenz Horber of the Berlin Philharmonic said, "because we are having trouble with the U. S. just now." Louisiana...

Author: /time Magazine | Title: Music: Hitleritis | 4/10/1933 | See Source »

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