Word: borodino
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...custard pies up, not down. If his humor is merciless, it is not unkind; Boris' angry monologues with God are closer to Fiddler on the Roof than to comic on the make. The same affection courses through his parodies of Fellini and Bergman and of Pierre at Borodino. In mocking classics, in touching on the topics of religion and mortality, Allen has drawn laughter where there was silence and mustaches where there were faces...
...director Jiri Weiss: "To me an actor is what five divisions of the Soviet army are for Sergel Bondartchuk (Soviet director, author of the gigantic film version of War and Peace). And a conversation between a man and his wife is more interesting to me than the battle of Borodino. The miracle of cinematography is the reconstruction (or, if you will, the construction) of human life. Film magnifies human "fleas" to superhuman proportions, and a tremor of the lips or the eye's loving glance is more powerful than a cannon shot...
...writer, Wouk has just poured some seven years of his life into The Winds of War and its yet to be completed sequel. His aim: nothing less than to do for the middle-class American vision of World War II pretty much what Tolstoy did for the Battle of Borodino...
...program due to Mr. Mickiewicz's illness) seemed at times to be pulling the music out of them. They responded superbly, singing with much power and involvement, and covering a range of emotions from deep melancholy to fierce patriotism. Songs of the steppes, the Volga, and the Battle of Borodino were for them as charged with emotion as they are for most Russians. The audience was infected with their spirit, and literally stomped them back on stage for the second encore...
...public world reverberates with social reforms, patriotism, the trumpeted, and trumped-up, goals of nations and of wars. In Tolstoy's view, these are vampires of abstraction that suck real blood. The pinnacle of abstraction, as he sees it, is the great hero Napoleon. While the battle of Borodino is clumsily enacted onstage like a mock-up war game with wooden soldiers and generals, Tolstoy pursues the point that Napoleon did not have the foggiest idea how the battle would come out, and only a fumbling control over its course...